Background
Plasticity from auditory experience shapes the brain’s encoding and perception of 28
sound. Though prior research demonstrates that neural entrainment (i.e., brain-to-acoustic 29
synchronization) aids speech perception, how long- and short-term plasticity influence 30
entrainment to concurrent speech has not been investigated. Here, we explored neural entrainment 31
mechanisms and the interplay between short- and long-term neuroplasticity for rapid auditory 32
perceptual learning of concurrent speech sounds in young, normal-hearing musicians and 33
nonmusicians. 34
Method
Participants learned to identify double-vowel mixtures during ~45 min training sessions 35
with concurrent high-density EEG recordings. We examined the degree to which brain responses 36
entrained to the speech-stimulus train (~9 Hz) to investigate whether entrainment to speech prior to 37
behavioral decision predicted task performance. Source and directed functional connectivity 38
analyses of the EEG probed whether behavior was driven by group differences auditory-motor 39
coupling. 40
Results
Both musicians and nonmusicians showed rapid perceptual learning in accuracy with 41
training. Interestingly, listeners’ neural entrainment strength prior to target speech mixtures 42
predicted behavioral identification performance; stronger neural synchronization was observed 43
preceding incorrect compared to correct trial responses. We also found stark hemispheric biases in 44
auditory-motor coupling during speech entrainment, with greater auditory-motor connectivity in 45
the right compared to left hemisphere for musicians (R>L) but not in nonmusicians (R=L). 46
Conclusions
Our findings confirm stronger neuroacoustic synchronization and auditory-motor 47
coupling during speech processing in musicians. Stronger neural entrainment to rapid stimulus 48
trains preceding incorrect behavioral responses supports the notion that alpha-band (~10 Hz) 49
arousal/suppression in brain activity is an important modulator of trial-by-trial success in 50
perceptual processing. 51
Keywords
52
Neural entrainment; Concurrent speech perception; Functional Connectivity; Auditory-motor 53
interactions 54
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Introduction
55
Everyday listening involves complex auditory scenarios in which listeners must isolate information 56
from one talker in the presence of other talkers and background noise. Though difficult, many 57
listeners successfully navigate these types of “cocktail party” listening environments. In particular, 58
an extensive body of literature demonstrates perceptual advantages in speech-in-noise and 59
“cocktail party” listening among highly-trained musicians (Bidelman & Yoo, 2020; Maillard et al., 60
2023; Parbery-Clark et al., 2009; Puschmann et al., 2018; Zendel & Alain, 2009). Despite evidence 61
for a musician speech-in-noise advantage, the exact mechanism(s) underlying these 62
enhancements are still under investigation. Enhanced sensory processing (Bidelman et al., 2011; 63
Koelsch et al., 1999; Strait et al., 2010), attention (Román-Caballero et al., 2020; Strait & Kraus, 64
2011), and working memory/executive function (Kraus et al., 2012; Pallesen et al., 2010; Zuk et al., 65
2014) all might explain musicians’ superior figure-ground speech perception abilities. 66
One potential facilitatory mechanism that might enhance auditory perception, including 67
noise-degraded and concurrent speech perception, is neural entrainment. Neural entrainment, or 68
the yoking of ongoing neural oscillations to external stimuli, plays a strong role in governing the 69
perceptual parsing of speech (Vanthornhout et al., 2018) and musical sounds (Doelling et al., 70
2019). Entraining to speech facilitates its intelligibility both in quiet and noise (Riecke et al., 2018). 71
On the contrary, electrophysiological studies have shown that poorer entrainment in clinical 72
populations (e.g., listeners with auditory processing disorder) parallels behavioral deficits in 73
concurrent speech listening tasks (Gilley et al., 2016; Momtaz et al., 2021; Momtaz et al., 2022). 74
Collectively, these studies suggest the robustness of the brain’s neuroacoustic entrainment might 75
play an important role in successfully parsing concurrent speech signals. 76
In addition to their improved speech-in-noise performance, studies demonstrate musicians 77
have stronger neural entrainment to musical stimuli in the beta range (~20 Hz) that are associated 78
with rhythmic processing and forming temporal predictions (Doelling & Poeppel, 2015). Such 79
rhythmic brain oscillations have also been linked to sensorimotor synchronization ability (Arnal et 80
al., 2014; Krause, Pollok, et al., 2010; Krause, Schnitzler, et al., 2010). Indeed, a relationship 81
between enhanced neural entrainment strength and successful sensorimotor synchronization 82
(such as tapping along with a beat) has also been demonstrated on an individual level (Nozaradan 83
et al., 2016). In addition to the beta band, modulations in alpha entrainment (~10 Hz) can also 84
influence speech perception. Increases in alpha brain rhythms are traditionally associated with 85
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internal reflection or decreased attention to a given task (Klimesch, 2012). Related to task 86
performance, phase-related changes and suppression of alpha activity have been shown to predict 87
successful speech intelligibility in quiet and noise (Obleser et al., 2012; Strauß et al., 2015; Weisz et 88
al., 2011). Germane to our current study, Puschmann and colleagues found that when attending to 89
continuous speech in quiet, the amount of participants’ music training positively correlated with 90
the strength of alpha-band phase locking between the primary auditory cortex and dorsal and 91
ventral auditory pathways, suggesting alpha-band entrainment to speech across the cortex is 92
influenced by music training (Puschmann et al., 2021). Cortical alpha states also influence 93
brainstem speech encoding through dynamic fluctuations in arousal and attention, and 94
consequently, are relevant to speech processing at multiple stages of the auditory system (Lai et 95
al., 2022). Thus, as evidenced by changes in several prominent time-frequency signatures of the 96
EEG, studies support the notion that musicianship might enhance the brain’s ability to entrain to 97
external acoustic sounds. Consequently, the current study aimed to determine whether musicians’ 98
extensive experience with sensorimotor synchronization and enhanced neural entrainment might 99
also enhance aspects of concurrent speech listening. 100
In addition to speech-to-brain entrainment, brain-to-brain interactions between the 101
auditory and motor systems might also aid the perception of “cocktail party” speech. Previous 102
studies have demonstrated engagement of the motor system (alongside the auditory system) to 103
enhance the neural representation of speech (Poeppel & Assaneo, 2020; Poeppel & Hickok, 2004). 104
Indeed, close coordination between the premotor and temporal cortices is used to track various 105
linguistic elements of the speech signal spanning the syllable, word, and phrase levels (Assaneo & 106
Poeppel, 2018; Ding et al., 2016; He et al., 2023; Keitel et al., 2018). Motor engagement is 107
particularly evident under noise degradation when efference copy must enhance speech 108
representations from the impoverished acoustic input (Du et al., 2014). Such top-down, cross-109
modal enhancement of auditory information might also be due to the ability of the motor system to 110
enhance temporal predictions of sensory stimuli (Dick et al., 2011; Morillon & Baillet, 2017). These 111
mechanisms could presumably improve degraded listening skills. One idea is that the enhanced 112
auditory-motor integration necessary for musicians may enhance auditory-motor connectivity, thus 113
enabling their more successful speech-in-noise comprehension (e.g., Du & Zatorre, 2017). 114
Functional connectivity between the auditory and motor systems (i.e., the degree of 115
coupling between regional activity) can be used to directly characterize auditory-motor signaling. 116
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Indeed, connectivity within the alpha band that tags the speech signal is stronger in musically 117
trained individuals (Puschmann et al., 2021). Functional connectivity enhancements gained 118
through long-term music training may even align with prevention of typical age-related declines in 119
speech-in-noise perception (Zhang et al., 2024). In addition to connectivity strength, the direction 120
of signaling (i.e., auditory-to-motor vs. motor-to-auditory) can provide insight into “bottom up” vs. 121
“top-down” mechanisms of auditory-motor involvement. Stronger connectivity in the auditory-to-122
motor direction could indicate greater reliance on sensory cue extraction and specific stimulus 123
features, whereas stronger motor-to-auditory signaling could indicate greater reliance on predictive 124
or anticipatory cues to perceive cocktail party speech. 125
In the present study, we reanalyzed the EEG data collected in our previously published 126
study on the neuroplasticity of concurrent speech sound learning in musicians and nonmusicians 127
(MacLean et al., 2024). In our prior work, we found that long-term plasticity (e.g., musicianship) 128
interacted with short-term perceptual learning (e.g., learning a task within one ~45 minute session) 129
in the perception of double-vowel speech stimuli. Musicians and nonmusicians demonstrated 130
different cortical (but not subcortical) learning trajectories which related to behavioral measures of 131
speech identification success. Fortuitously, our stimulus design included a rapid cueing speech 132
train which had the natural potential to induce neural entrainment prior to listeners’ behavioral 133
decision (Bidelman, 2015). Here, we performed novel analyses on this critical segment to 134
understand how neural entrainment and auditory-motor connectivity interact with long- and short-135
term auditory experiences during double-vowel learning. We hypothesized that alpha-band 136
entrainment to concurrent speech and auditory-motor connectivity strength would influence 137
behavioral success at the single trial level, and that these oscillatory processes would differ 138
between musician and nonmusician groups. Additionally, we investigated the direction of auditory-139
motor connectivity to understand how the relative signaling between the auditory and motor 140
systems relate to learning and behavioral performance. Our findings support the notion that alpha 141
suppression is critical for task success and bottom-up use of stimulus features for both groups, 142
while revealing differences in neural entrainment based on long-term music training. 143
144
145
146
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Materials and methods
147
The current study represents a new analysis of neural entrainment from the EEG data reported in 148
MacLean et al. (2024). Evoked potential results including brainstem (FFR) and cortical (ERP) 149
responses to speech and how they are modulated by perceptual learning are reported in the 150
companion paper (MacLean et al., 2024). The reader is referred to the original manuscript for full 151
methodological details. 152
Participants 153
Twenty-seven young adults (ages 18-34; mean + SD: 23.68 + 4.22; 13 female) with normal hearing 154
thresholds (bilateral pure tone averages < 25 dB HL, octave frequencies between 250 and 8000 Hz) 155
participated in this study. All participants were fluent in American English and reported no previous 156
neurologic or psychiatric disorders. Participants gave written, informed consent in accordance with 157
a protocol approved by the Indiana University Institutional Review Board. 158
Participants were separated into musician (M; n = 13) and nonmusician (NM; n = 14) groups 159
based on their extent of formal music training. Musicians had at least 10 years of formal music 160
training starting at or before age 12, while nonmusicians had 5 or fewer years of lifetime music 161
training (Wong et al., 2007). Groups did significantly differ in amount of music training (M: 16.1 + 4.3 162
years; NM: 2.4 +1.7 years; t(25) = 10.93; p < 0.001), but were matched in age (t(25) = 1.58; p = 163
0.413), cognitive ability as assessed through the Montreal Cognitive Assessment (Nasreddine et al., 164
2005) (t(25) = 1.78; p = 0.088), self-reported bilingualism (X2(1, N = 27) = 0.022, p = 0.883), sex 165
balance (X 2(1, N = 27) = 1.78, p = 0.182), and handedness as assessed through the Edinburgh 166
Handedness Inventory (t(25) = -0.615; p = 0.544) (Oldfield, 1971). 167
Double-vowel stimuli and task 168
Concurrent vowel stimuli were modeled after previous studies (Alain et al., 2007; Assmann & 169
Summerfield, 1989, 1990; Bidelman & Yellamsetty, 2017). Stimuli consisted of synthesized, steady-170
state vowels (/a/, /e/, and /i/) which were presented in three unique vowel combinations (i.e., /a/ + 171
/e/; /e/ + /i/; /a/ + /i/). Vowels were never paired with themselves. Stimuli were created with a Klatt-172
based synthesizer (Klatt, 1980) coded in MATLAB (v 2021; The MathWorks, Inc., Natick, MA). Each 173
vowel was 100 ms in duration with 10-ms cos2 onset/offset ramping to prevent spectral splatter. The 174
fundamental frequency (F0) between vowels was 4 semitones (150 and 190 Hz), which promotes 175
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segregation for most listeners (Assmann & Summerfield, 1990; Bidelman & Yellamsetty, 2017). F0 176
and the first two formant frequencies (F1a,e,i = 787, 583, 300 Hz; F2 a,e,i = 1307, 1753, 2805 Hz) 177
remained constant for the duration of the token. 178
The speech sounds were presented in rarefaction phase through a TDT RZ6 interface 179
(Tucker-Davis Technologies, Alachua, FL) controlled via MATLAB. Stimuli were presented binaurally 180
at 79 dB SPL through electromagnetically shielded (Campbell et al., 2012; Price & Bidelman, 2021) 181
ER-2 insert earphones (Etymotic Research, Elk Grove, IL). Prior to EEG testing, we required all 182
participants to identify single vowels with 100% accuracy. This ensured subsequent learning would 183
be based on improvements in concurrent speech identification rather than isolated sound labeling 184
ability. 185
We used a clustered stimulus paradigm (Bidelman, 2015) employing interspersed fast and 186
slow interstimulus intervals (ISIs) to collect speech-evoked potentials during the active perceptual 187
task (Figure 1). Speech-ERP/FFR data are reported in the companion paper (MacLean et al., 2024). 188
Each trial consisted of one of the three vowel combinations. During a trial, 20 repetitions of the 189
vowel pair were presented with a fast ISI of 10 ms to elicit the FFR. Thus, the corresponding 190
stimulus onset asynchrony (SOA) was 110 ms (i.e., 9.09 Hz). The ISI was then slowed to 1100 ms 191
and a single stimulus was presented to evoke the ERP and cue a behavioral response. Participants 192
then identified both vowels through keyboard responses following the isolated vowel pair. The next 193
trial began after the participants’ response and 250 ms of silence. Participants were asked to 194
identify both vowels as quickly and accurately as possible (no feedback was provided). Double 195
vowel pairs were randomized in order. This identical task was repeated over four learning blocks. In 196
total, each block included 150 stimulus trials. Each block took 10-15 min to complete. Participants 197
were offered a short (2-3 min) break after each block to avoid fatigue. 198
199
200
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Figure 1. Clustered stimulus paradigm to induce alpha-band speech entrainment. The stimulus 201
paradigm began with a rapid stimulus train presented at ~10 Hz, followed by a 1100 ms period of 202
silence before the isolated vowel pair which cued behavioral responses (Bidelman, 2015). Analyses 203
were performed on induced neural entrainment observed during the silent period. 204
205
To investigate neural entrainment induced by the preceding speech stimuli prior to listeners’ 206
behavioral response, we isolated neural activity to the silent stimulus portion (-1100 to 0 ms) 207
immediately following the rapid speech train. This allowed us to assess how ongoing brain rhythms 208
that have entrained to speech after its cessation modulate subsequent success in identification. 209
EEG recording and preprocessing 210
We used Curry 9 (Compumedics Neuroscan, Charlotte, NC) and BESA Research 7.1 (BESA, GmbH) 211
to record and preprocess the continuous EEG data. Continuous EEGs were acquired from 64-212
channel Ag/AgCl electrodes positioned at 10-10 scalp locations (Oostenveld & Praamstra, 2001). 213
Recordings were digitized at 5 kHz using Neuroscan Synamps RT amplifiers. Data were referenced 214
to an electrode placed 1 cm behind Cz during online recording. Data were re-referenced to 215
common average reference for subsequent analysis. Impedances were kept below 25 k. 216
Electrodes placed on the outer canthi of the eyes and superior and inferior orbit captured ocular 217
movements. Eyeblinks were corrected using a topographic principal component analysis 218
(Wallstrom et al., 2004). Responses were collapsed across vowel pairs to obtain an adequate 219
number of trials for analysis (Bidelman & Yellamsetty, 2017; Yellamsetty & Bidelman, 2018). 220
Responses exceeding 150 µV were rejected as further artifacts. We then bandpass filtered 221
responses from 7 to 12 Hz (zero-phase Butterworth filters; slope = 48 dB/octave) to isolate alpha-222
band activity (Alain et al., 2023; Bidelman, 2017; Lai et al., 2022), corresponding to the nominal rate 223
of our speech train stimuli. Data were then epoched during the silent portion of the stimulus 224
presentation (-1100 to 0 ms), baselined, and ensemble averaged to derive sustained response 225
waveforms for each condition per subject. For subsequent analyses, neural responses were 226
separated by listeners’ trial-by-trial response accuracy (correct vs. incorrect trials). 227
Fast-Fourier Transforms 228
To measure the strength of neural entrainment induced by the rapid stimulus train, we computed 229
the Fast Fourier Transform (FFT) in the -1100 to 0 ms time window separately for each block and 230
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correct/incorrect trials. We measured the magnitude and frequency for the maximum spectral peak 231
within the alpha band (7-12 Hz) at the Cz electrode to quantify entrainment at the scalp level. 232
Functional connectivity 233
To resolve the underlying brain sources of entrainment effects, we measured directional flow of 234
information within auditory-motor networks using Granger Causality (GC) (Geweke, 1982; Granger, 235
1969). GC measures the degree to which Signal A “Granger-causes” Signal B and is computed 236
directionally in order to infer causal flow of information between brain regions. We computed 237
functional connectivity in the frequency domain between primary auditory (A1) and motor (M1) 238
cortices, bilaterally, using BESA Connectivity (v2.0) (Dhamala et al., 2008; Geweke, 1982). A1 and 239
M1 regions of interest (ROI) were defined via Talairach coordinates in template brain space (x, y, z 240
coords.: M1: ±44.8, -7.8, 38.24 cm; A1: ±50.4, -21.7, 11.5 cm). Frequency decomposition was 241
based on complex demodulation (Papp & Ktonas, 1977), which results in uniform frequency 242
resolution across the analysis bandwidth (i.e., sliding window FFT). The time-frequency analysis 243
initially spanned the entire epoch window (-3400 to 1000 ms), using a pre-stimulus baseline (-3400 244
to -3200 ms) over a bandwidth between 5-20 Hz (i.e., centered at the nominal alpha frequency). 245
However, we extracted GC within the post-stimulus train silence (-1100 to 0 ms) within the 7-12 Hz 246
band (collapsed across time and frequency) to examine alpha auditory motor coupling just prior to 247
the target cue and behavioral decision. We computed GC between A1 and M1 in both the forward 248
and reverse directions (A1 → M1 and M1 → A1, respectively) to assess directed “bottom-up” and 249
“top-down” neural signaling between auditory and motor system. 250
Statistical analyses 251
Unless otherwise noted, we analyzed dependent variables using mixed model ANOVAs in R (version 252
4.2.2) (R-Core-Team, 2020) and lme4 package (Bates et al., 2015). Behavioral measures (percent 253
correct, reaction time) were analyzed with fixed effects of group (2 levels), block, (4 levels), 254
Entrainment strength was analyzed with fixed effects of group (2 levels), block (4 levels), behavioral 255
response (2 levels, correct or incorrect), and random effect of subject. Additionally, we included a 256
covariate for the number of trial counts for correct and incorrect responses. Granger Connectivity 257
was analyzed with the same fixed and random effects as above, with two additional fixed effects of 258
hemisphere (2 levels; left vs. right) and direction (2 levels; forward: A1 → M1, reverse: M1 → A1). 259
Effect sizes are reported as partial eta squared (𝜂𝑝2) and degrees of freedom (d.f.) using 260
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Satterthwaite's method. Multiple pairwise comparisons were adjusted using Tukey method. Linear 261
contrasts were adjusted using the Sidak method. 262
Initial diagnostics indicated heavy tailed distributions for both neural measures. 263
Consequently, we used the Box-Cox procedure (Box & Cox, 1964) to transform the data and satisfy 264
normality assumptions necessary for parametric statistics. This procedure transforms the data 265
according to y’=(yλ – 1)/λ, where λ = 0.071 and λ = -0.11 where determined empirically for 266
entrainment strength and connectivity, respectively. 267
268
Results
269
Behavior 270
Figure 2 displays behavioral results for both M and NM groups across all four training blocks. An 271
ANOVA on behavioral accuracy revealed a main effect of training block [F(3, 75) = 12.13, p < 0.001, 272
𝜂𝑝2 = 0.33], where both groups improved in accuracy with training block (linear contrast: M: t(75) = 273
4.34, p < 0.001; NM: t(75) = 3.01, p = 0.0035). These data demonstrate that both groups improved in 274
speech identification accuracy with training. 275
276
Figure 2. Behavioral accuracy increased with training block. Accuracy in identifying both 277
concurrently presented vowels improved with increasing training block for musicians and 278
nonmusicians. Error bars = +1 S.E.M. Reprinted from MacLean et al. (2024), with permission from 279
Oxford University Press. 280
281
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Neural entrainment to speech preceding behavior 282
Figure 3 displays alpha-band waveforms during the entire stimulus period. For subsequent 283
analyses, we focused on the silent period just prior to the target double-vowel presentation that 284
cued listeners’ behavioral response. 285
286
Figure 3. Alpha-band entrainment during the stimulus time course. Alpha-band (7-12 Hz) 287
entrainment waveforms for musicians and nonmusicians preceding correct (a) and incorrect (b) 288
behavioral responses. Gray boxes represent stimulus in the rapid stimulus train (see Fig. 1). To 289
assess true entrainment, analyses were performed during the silent portion of the stimulus 290
paradigm (yellow) just prior to the behavior-cueing token at t = 0 (black box). 291
292
Figure 4 shows alpha-band entrainment amplitude in the pre-stimulus silence period (i.e., 293
just prior to the target cue) for correct and incorrect trials. An ANOVA on alpha-band entrainment 294
amplitude revealed a 2-way interaction between group x trial accuracy [F(1, 172.38) = 4.52, p = 295
0.035, 𝜂𝑝2 = 0.03] (Fig. 4b), driven by larger spectral amplitudes for musicians than nonmusicians 296
preceding incorrect trials [t(29) = 2.20, p = 0.036]. Groups showed similar response amplitudes 297
before correct trials [t(29) = 1.011, p = 0.32]. There was also a block x response accuracy interaction 298
[F(3, 172.38) = 4.014, p = 0.0086, 𝜂𝑝2 = 0.07]. A linear contrast revealed this interaction was due to a 299
steady increase in response amplitude across blocks for incorrect trials [t(177) = 4.18, p < 0.0001], 300
regardless of group. Responses were invariant across blocks for correct trials [t(177) = -0.41, p 301
=0.68]. 302
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303
Figure 4. Neural entrainment following a rapid speech stimulus train predicts subsequent 304
behavioral identification accuracy for double-vowel mixtures. (a) FFTs are displayed for 305
musicians and nonmusicians for silences preceding correct and incorrect trials. Insets show time 306
waveforms of the post-train period (see yellow shading, Fig. 3). (b) Musicians had stronger 307
entrained responses preceding incorrect trials than did nonmusicians, despite similar responses 308
preceding correct trials. Error bars/shading = +1 S.E.M. 309
310
Auditory-motor connectivity 311
Figure 5 depicts time-frequency plots of source-level waveforms from auditory (A1) and motor (M1) 312
cortex in the left (LH) and right hemispheres (RH) per group. Spectrographic maps were used to 313
calculate Granger Connectivity (GC), reflecting directed neural signaling between ROIs, for correct 314
and incorrect trials per hemisphere and group (Figure 6). 315
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316
Figure 5. Source time-frequency responses reflecting neural entrainment within the auditory-317
motor network. Each spectrogram demonstrates spectral density within the alpha band range 318
stemming from auditory (A1) and motor (M1) cortex. Hot colors, %-increase in activity relative to 319
baseline; cool colors, %-decrease activity. t = 0 denotes the onset of the double-vowel mixture that 320
cued listeners’ behavioral response. Note the power at ~10 Hz reflecting phase-locking to the rapid 321
stimulus train (see Fig. 1a) which is also stronger in musicians. L/R = left/right hemisphere. 322
323
A mixed-model ANOVA on GC strength revealed several two-way interactions (Figure 7). We 324
found an interaction between hemisphere and group (Fig. 7a) [F(1, 766.72) = 9.07, p = 0.0027, 𝜂𝑝2 = 325
0.01]. This was driven by stronger GC values in the right hemisphere compared to the left 326
hemisphere for musicians only (pairwise comparison: M: t(766) = -4.69, p < 0.0001, NM: t(766) = -327
0.555, p = 0.58). An interaction between group and block (Fig. 7b) [F(3, 769.72) = 3.64, p = 0.013, 𝜂𝑝2 328
= 0.01] was driven by greater connectivity with block for musicians only (linear contrast: M: t(791) = 329
3.16, p = 0.0050; NM: t(779) = 1.51, p = 0.35). We also observed an interaction between group and 330
response accuracy (Fig. 7c) [F(1, 766.72) = 5.030, p = 0.025, 𝜂𝑝2 < 0.01] which was driven by stronger 331
GC during incorrect trials in both groups but especially musicians (pairwise comparison: M: t(766) = 332
-13.69, p < 0.0001; NM: t(766) = -11.11, p < 0.0001). Finally, an interaction between block and 333
response accuracy (Fig. 7d) [F(3, 766.72) = 4.55, p = 0.0036, 𝜂𝑝2 = 0.02] was driven by increasing 334
connectivity with block for incorrect trials only (linear contrast: correct: t(787) = 0.12, p = 0.99; 335
incorrect: t(787) = 4.60, p < 0.0001). All other interactions were non-significant. Additionally, we 336
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observed a main effect of direction (Fig. 7e) [F(1, 766.72) = 4.53, p = 0.034, 𝜂𝑝2 < 0.01], attributed to 337
higher auditory-to-motor (i.e., A1 → M1) compared with motor-to-auditory (i.e., M1 → A1) 338
connectivity in both groups. 339
340
Figure 6. Auditory-motor coupling varies by group, hemisphere, and trial-wise accuracy. 341
Granger connectivity values were strongest for musicians in the right hemisphere preceding 342
incorrect trials. Both groups had weaker connectivity in the motor to auditory direction. Errorbars = 343
+1 S.E.M.344
345
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Figure 7. Significant interactions and main effects on Granger Connectivity. (a) Hemisphere x 346
group, (b) block x group interaction, (c) group x response accuracy, and (d) block x response 347
accuracy interactions. (e) Main effect of direction. Connectivity was stronger in the auditory-motor 348
(bottom-up) vs. motor-auditory (top-down) direction. Errorbars = +1 S.E.M. 349
350
Discussion
351
By analyzing EEG entrainment during perceptual learning of double-vowel mixtures in musicians 352
and nonmusicians, we found: (i) stronger alpha-band power preceding incorrect responses, 353
especially for musicians, (ii) greater learning-related changes in connectivity for musicians, 354
especially in the right hemisphere and preceding incorrect responses, and (iii) stronger bottom-up 355
(auditory-to-motor) than top-down (motor-to-auditory) connectivity for both groups. 356
Musicians displayed stronger modulation of alpha activity that varied with trial success 357
Musicians displayed stronger alpha-band (7-12 Hz) activity preceding incorrect trials in our double-358
vowel identification task than nonmusicians. As induced entrainment here (~9 Hz) overlaps with the 359
alpha range, increased alpha activity could indicate stronger persistent stimulus entrainment after 360
the sound has stopped (exogenous activity) or reduced outward attention to the stimulus and 361
greater inward reflective processing (endogenous activity) (Klimesch, 2012). Given that increased 362
alpha-band power was observed prior to incorrect responses, the latter interpretation is more 363
plausible. One potential explanation for increased activity associated with reduced attention to 364
task may be that increased alpha power reflects decreased neuronal excitability (e.g., inhibition), 365
which leads to reduced stimulus encoding at the sensory level. As a result of the stimulus not being 366
encoded properly, task performance becomes poorer (Iemi et al., 2022). Increases in alpha activity 367
in the pre-stimulus period could indicate that participants were “tuning out” the trial and therefore 368
responded incorrectly (Klimesch, 2012). 369
Trial-dependent changes in alpha power were stronger for musicians than nonmusicians 370
preceding incorrect trials, despite similar levels of activity between groups preceding correct 371
responses. One explanation for this finding could be that musicians are greater “modulators” of 372
alpha activity. Previous studies have shown that changes in alpha activity are associated with 373
improved task performance (Klimesch, 2012; Lai et al., 2022; Pfurtscheller & Lopes da Silva, 1999; 374
Price et al., 2019; Strauß et al., 2015). We have also recently demonstrated listeners who show less 375
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stimulus-related changes in their alpha (i.e., “low alpha modulators”) achieve poorer performance 376
on speech-in-noise perception tasks (Price et al., 2019). Alpha desynchronization in sensory, task-377
relevant brain areas may even be paired with alpha synchronization over task-irrelevant areas 378
where inhibition is necessary (Mazaheri et al., 2014). Alpha power is also associated with 379
attentional biasing during auditory processing, including tasks involving the perception of difficult 380
and ambiguous speech (Alain et al., 2023). Greater alpha activity preceding incorrect trials may 381
thus reflect changes in task-related inhibition and/or attentional gating. Indeed, broad increases in 382
prestimulus neural activation predict speech recognition errors (Vaden et al., 2015; Vaden et al., 383
2022). And consistent with our electrophysiological data, alpha power can be stronger preceding 384
incorrect responses (Samaha et al., 2020). Regardless of which interpretation accounts for the 385
alpha effects observed here, it is clear musicians recruit greater changes in alpha power between 386
successful and unsuccessful trials (Fig. 4b). Given musicians’ faster performance in double-vowel 387
identification (MacLean et al., 2024), it would appear that a more dynamic alpha range in brain 388
activity is advantageous. This could reflect musicians’ greater flexibility in deploying attentional 389
resources during speech perception (Strait & Kraus, 2011). This notion converges with previous 390
findings showing that acoustic-phonetic properties of speech indexed by alpha rhythms are 391
amplified in musicians and support more robust categorization in speech perception tasks 392
(Bidelman, 2017). 393
Relatedly, under the attentional interpretation of alpha, increased alpha activity in 394
musicians may be the result of greater “tuning-out, ” or reduced attentional gating to the task during 395
incorrect trials. Musicians’ greater alpha desynchronization for successful trials could reflect 396
stronger attentional modulation or even greater resources for redirecting attention when needed (or 397
desired). Indeed, both groups showed increased behavioral performance with block, but it is 398
conceivable that performance may have become more automatized in musicians during the time 399
course of learning. This is supported by our functional connectivity data. Musicians showed 400
increased alpha-band auditory-motor connectivity with training block, whereas nonmusicians did 401
not. In this vein, prior studies have also shown greater selective auditory attention for musicians in 402
concurrent speech or “cocktail party” scenarios (Brown & Bidelman, 2023; Clayton et al., 2016; 403
Strait et al., 2010), but see (Baumann et al., 2008), and there is also evidence that inhibitory 404
attentional control is stronger and more efficient in musically trained individuals (Medina & Barraza, 405
2019). 406
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Further support for interpretation of increased alpha power as reduced attention to task is 407
supported by findings relating alpha power to creativity (Stevens & Zabelina, 2019). Similarly, 408
greater auditory-motor connectivity for musicians preceding incorrect trials may be the result of 409
increased internal reflection. Reflective processing coincides with decreased arousal/attention 410
observed through alpha desynchronization (Klimesch, 2012). Internal reflections or “daydreaming” 411
prior to incorrect trials could indicate more widespread, inefficient processing unrelated to the task 412
(Fink & Benedek, 2014). Previous studies link stronger alpha activity and resting-state functional 413
connectivity with creativity in long-term trait (Bazanova & Aftanas, 2008; Beaty et al., 2014) and 414
short-term task-related (Stevens & Zabelina, 2019) contexts. Understanding increased alpha 415
activity as reduced attention to task goes hand in hand with greater “tuning out” or internal 416
reflection, though our task did not measure this phenomenon explicitly. 417
Determining the facilitatory or inhibitory role of alpha in concurrent speech listening, as well 418
as how this role may be modulated by long-term music training, could inform future interventions 419
to improve everyday complex listening skills (Gray et al., 2022). For example, the overall power and 420
ability to modulate alpha activity to suppress irrelevant information declines in older listeners, 421
which may render pre-target entrainment weaker and less viable as a mechanism for attentional 422
gating (Klimesch, 1999; Vaden et al., 2012; Wöstmann et al., 2015). As implied by prior behavioral 423
and neuroimaging studies, music engagement might help offset these age-related declines in 424
auditory processing and help fortify the sensory-attentional mechanisms necessary for parsing 425
complex speech mixtures (Bidelman & Alain, 2015; Lu et al., 2022; Zendel & Alain, 2009, 2012; 426
Zendel et al., 2019). 427
Our study only examined induced brain-to-speech alpha entrainment following a cueing 428
rhythmic speech train. Further exploration of the role of such induced (endogenous) alpha 429
entrainment, both to external speech and between brain areas, and how it interacts with stimulus-430
related speech phase-locking (Puschmann et al., 2018) is needed in order to understand 431
neuroplastic changes in neural entrainment and how it benefits concurrent speech perception. In 432
this vein, neurostimulation studies have already demonstrated that enhancing cortical entrainment 433
causally improves comprehension including performance for noise-degraded speech (Guilleminot 434
& Reichenbach, 2022; Wilsch et al., 2018). 435
436
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Auditory-motor connectivity during concurrent speech listening differs based on long-term 437
music training 438
During our active double-vowel perception task, musicians showed greater auditory-motor 439
connectivity in the right hemisphere, whereas nonmusicians displayed similar connectivity in both 440
hemispheres. These results are in line with emerging findings suggesting long-term music training is 441
associated with stronger functional connectivity in the right hemisphere that is associated with 442
preserved speech-in-noise capabilities with age (Zhang et al., 2024). Right hemispheric brain 443
pathways are dominant for pitch and fine spectral processing (Zatorre et al., 2002; Zatorre et al., 444
1992). Thus, greater RH engagement in musicians may indicate their greater “cue-weighting” of 445
pitch-based cues to distinguish vowels during our concurrent speech task, in line with our previous 446
ERP findings of the same data (MacLean et al., 2024). Relatedly, other studies suggest that 447
musicians have stronger right hemisphere entrainment to speech within the alpha band 448
(Puschmann et al., 2021). Nonmusicians’ similar patterns of connectivity between left and right 449
hemispheres may indicate that neither a left-biased linguistic (Hickok & Poeppel, 2007; Mankel et 450
al., 2022) nor right-biased pitch strategy was preferred. Given musicians’ greater speed in the task 451
(MacLean et al., 2024), a pitch-based, spectral strategy may have been advantageous which could 452
explain the larger recruitment of RH activity observed in our data. 453
Auditory-motor connectivity is stronger in the bottom-up vs. top-down direction 454
We found both musicians and nonmusicians had stronger connectivity in the auditory-to-motor 455
compared to motor-to-auditory direction prior to double-vowel identification. The directionality of 456
connectivity provides insight as to whether concurrent speech stimuli were processed in a bottom-457
up (auditory-to-motor) or top-down (motor-to-auditory) manner. Here, greater auditory-motor 458
connectivity preceding behavior may indicate more reliance on the extraction of stimulus-specific 459
features than anticipatory motor representations of the speech stimuli (Morillon & Baillet, 2017; 460
Tian & Poeppel, 2012). One idea is that the motor system becomes involved in speech perception 461
when listening becomes difficult, such as when acoustic input is sparse (Osnes et al., 2011) or 462
speech is presented in noise (Du et al., 2016). As we observed stronger bottom-up connectivity for 463
both groups, stimulus-based feature extraction may be more advantageous than anticipatory 464
timing during our task. That is, the repetitive stimulus train and simultaneous onset for both vowels 465
may have decreased the need for reliance on top-down anticipatory motor-system strategies (Wu 466
et al., 2014). Alternatively, if the task became more automatic with learning, this would tend to 467
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evoke more bottom-up signaling, which is also enhanced in musicians (Bidelman & Krishnan, 2010; 468
Bidelman et al., 2014; Musacchia et al., 2007; Parbery-Clark et al., 2009; Puschmann et al., 2018). 469
Our stimulus train was also periodic and predictable. It is possible that changes to the timing 470
and/or predictability of speech sounds (e.g., jittered stimulus train) may differentially recruit 471
auditory-motor engagement and alter the direction of connectivity during speech processing (cf. 472
Momtaz & Bidelman, 2024; Morillon & Baillet, 2017). Future studies are needed to test these 473
possibilities. 474
AUTHOR CONTRIBUTIONS 475
Jessica MacLean (Design, Data Collection, Data Analysis, Writing), Jack Stirn (Data Collection, 476
Writing), and Gavin Bidelman (Design, Data Collection, Data Analysis, Writing). 477
478
FUNDING 479
This work was supported by the National Institute on Deafness and Other Communication 480
Disorders (R01DC016267 to G.M.B.). 481
Conflict of interest statement: None declared. 482
was not certified by peer review) is the author/funder. All rights reserved. No reuse allowed without permission.
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