Abstract
Flicker light stimulation (FLS) uses stroboscopic light on closed eyes to induce transient
visual hallucinatory phenomena, such as the perception of geometric patterns, motion, and
colours. It remains an open question where the neural correlates of these hallucinatory
experiences emerge along the visual pathway. To allow future testing of suggested underly-
ing mechanisms (e.g., changes in functional connectivity, neural entrainment) , we sought to
systematically characterise the effects of frequency (3 Hz, 8 Hz, 10 Hz and 18 Hz) and rhyth-
micity (rhythmic and arrhythmic conditions) on flicker-induced subjective experiences.
Using a novel questionnaire, we found that flicker frequency and rhythmicity significantly
influenced the degree to which participants experienced simple visual hallucination s, partic-
ularly the perception of Klu ¨ ver forms and dynamics (e.g., motion). Participants reported their
experience of geometric patterns and dynamics was at highest intensity during 10 Hz rhyth-
mic stimulation. Further, we found that frequency-match ed arrhythmic FLS strongly reduced
these subjective effects compared to equivalent rhythmic stimulation. Together, these
Results
provide evidence that flicker rhythmicity critically contributes to the effects of FLS
beyond the effects of frequency alone, indicating that neural entrainment may drive the
induced phenomenal experience.
Introduction
Flicker light stimulation (FLS) reliably induces simple visual hallucinations in healthy partici-
pants via closed-eye ocular stimulation with stroboscopic light [1–3]. Simple visual hallucina-
tions, synonymous with elementary visual hallucinations, refer to the subjective experience of
colours and geometric patterns that are devoid of semantic content. The experience is often
accompanied by other phenomenological changes, such as altered mood, arousal, and sense of
time passing [2]. Simple visual hallucinations experienced under FLS display marked similari-
ties to the perceptual changes associated with migraine aura [4,5], epileptic seizures [6] and
Charles Bonnet Syndrome (hallucinatory experiences due to sensory deprivation resulting
from macular degeneration) [7] as well as drug-induced psychedelic experiences [2,8]. In
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OPEN ACCESS
Citation: Amaya IA, Behrens N, Schwartzm an DJ,
Hewitt T, Schmidt TT (2023) Effect of frequen cy
and rhythmicity on flicker light-induced
hallucinato ry phenomena. PLoS ONE 18(4):
e0284271. https://d oi.org/10.1371/j ournal.
pone.028427 1
Editor: Manuel Spitschan, Technical University of
Munich, Germany, UNITED KINGDOM
Received: December 6, 2022
Accepted: March 28, 2023
Published: April 11, 2023
Peer Review History: PLOS recognize s the
benefits of transpar ency in the peer review
process; therefore, we enable the publication of
all of the content of peer review and author
response s alongside final, published articles. The
editorial history of this article is available here:
https://doi.o rg/10.1371/jo urnal.pone.0 284271
Copyright: © 2023 Amaya et al. This is an open
access article distributed under the terms of the
Creative Commons Attribution License, which
permits unrestricte d use, distribu tion, and
reproduction in any medium, provided the original
author and source are credited.
Data Availabilit y Statement: All questionnair e data
files are available on the OSF data repository (URL:
https://osf.i o/5d29g/).
recent years, FLS has been used as an experimental tool to study the neural underpinnings of
visual hallucinations [9]. However, in order to draw links between neural mechanisms under-
lying specific forms of visual hallucinations, it is first important to establish a thorough charac-
terisation of the experienced phenomena.
Flicker-induced effects were first formally described by Purkinje in 1819 [10]; thereafter,
the phenomenon was relatively unexplored until the invention of the electroencephalogram
(EEG) in the 1920s [11]. This allowed the observation of synchronised brain oscillations when
FLS was presented in the alpha frequency range (8–12 Hz) [12]. Later, it was explored recrea-
tionally in the 1960s with the creation of the “Dreamachine”, a low-fi method of delivering
FLS using a record player [11]. Today, FLS can be delivered using specially programmed elec-
tronic lamps with precise manipulation of flicker frequency, rhythmicity (i.e., the temporal
pattern of flashes), and brightness.
Initial studies attempting to characterise visual experiences arising from altered and patho-
logical states employed illustrations and open report methods, which revealed a striking uni-
versality in the types of visual patterns experienced [13,14]. Four of these commonly occurring
patterns are collectively named the Klu ¨ ver form constants [15], which are comprised of grids,
spirals, tunnels, and targets (see [16,17] for illustrations). FLS-induced perception of motion
and colours are also shared across various pathologies and altered states. For example,
migraine sufferers often report seeing red, yellow, and blue in addition to bright white [18]
and vivid colours are one of the most frequently reported characteristics of N, N-dimethyltryp-
tamine (N, N-DMT) experiences [19]. In addition, FLS also induces other types of imagery
that have lower levels of pattern organisation and higher degrees of noise, such as TV static
and floating, scattered blobs and dots. These are sometimes referred to as phosphene forms
and likely occur due to retinal stimulation with a strong light source [20]. Aside from simple
hallucinations, complex visual hallucinations (i.e., realistic scenes, objects, and faces) have also
been reported during FLS, albeit less frequently [2,3]. Recent research further explored if FLS
experiences relate to person-specific factors, such as the personality trait of Absorption [2,21].
It was also found that people with Aphantasia (i.e., lack of mentally simulated visual imagery
[22]) report fewer FLS-induced visual effects [23].
Recent studies have used standardised methods to assess the flicker-induced subjective
experience, e.g., Bartossek et al. [2] administered the Altered States of Consciousness Rating
Scale (5D-ASC/11-ASC; [24]) and the Phenomenology of Consciousness Inventory (PCI) [25].
These questionnaires are well-established and validated to assess a whole spectrum of altered
experiences and thereby allow comparisons across different types of altered states of con-
sciousness [8]. However, due to their breadth of measured phenomena, they are limited in cap-
turing a high level of detail of visual effects that would enable differentiation between different
types of visual hallucinations. Using an analogue slider to assess experience intensity,
Schwartzman et al. [3] were able to differentiate the intensity of experiences between different
frequencies of FLS, which was otherwise not captured via 5D-ASC ratings. These observations
highlight the need for a careful and detailed assessment of the types of visual phenomena expe-
rienced during FLS that extends beyond the currently available tools.
The link between phenomenology and neurophysiology can be used to shed light on the
neural mechanisms underlying FLS-induced visual hallucinations. Using periodic flicker (i.e.,
FLS with regular inter-flash intervals; also called rhythmic flicker), it was found that FLS at
alpha frequency (8–12 Hz) induces stronger simple visual hallucinations than other frequen-
cies [2,3,17] and additionally enhances the amplitude of EEG oscillations at the targeted fre-
quency band of stimulation [26,27]. This indicates that entrainment (i.e., synchronisation of
brain oscillations with periodic external driving stimulation) may contribute to the generation
of simple visual hallucinations. To further test whether entrainment is indeed a driving factor
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Flicker light phenome nology
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Funding: The investigator -initiated study was
financially supporte d by a donation from Lumenate
Growth Ltd to Freie Universita ¨ t Berlin allocated to
TTS. There was no additional external funding
received for this study.
Competing interests : I have read the journal’s
policy and the authors of this manuscript have the
following competing interests: TTS: This research
was supported by an unrestricted donation from
Lumenate Growth ltd to Freie Univers ita ¨ t Berlin
allocated to TTS. This does not alter our adherenc e
to PLOS ONE policies on sharing data and
materials.
in generating the subjective experience associated with FLS, one must compare the subjective
effects between traditional rhythmic stimulation and frequency-matched arrhythmic stimula-
tion. Theoretically, removing the rhythmicity of the stimulation should abolish entrainment.
Therefore, if arrhythmic frequency-matched FLS produces fewer subjective effects, it would
indicate that neural entrainment contributes to the generation of FLS-induced simple visual
hallucinations.
Here, we aim to determine the effects of frequency and rhythmicity on flicker-induced phe-
nomenology. Based on previous findings, we expect that rhythmic FLS within the alpha fre-
quency range (8–12 Hz) will lead to increased reports of simple visual hallucinations, Klu ¨ ver
forms and visual experiences that are more dynamic (i.e., moving patterns, patterns changing
frequently over time) and visually detailed, compared to other frequencies. We further expect
that rhythmic FLS will generate more simple visual hallucinations compared to frequency-
matched arrhythmic stimulation. We utilise two arrhythmic conditions that vary in their
degree of arrhythmicity. We hypothesise that higher variability in inter-flash intervals (i.e.,
greater arrhythmicity) will lead to a greater reduction in subjective effects. In contrast, as all
FLS conditions deliver the same total duration of light stimulation, we hypothesise that seeing
phosphene forms (e.g., blobs, TV static) will be frequency- and rhythmicity-independent . This
is because they have low levels of pattern organisation, making it likely they are caused by reti-
nal stimulation and not higher-order neural mechanisms. We will also explore whether fre-
quency and rhythmicity affect reports of complex visual hallucinations and types of colours
that are observed during the flicker experience.
Methods
Participants
Healthy participants were recruited (N = 20; 12 female, 7 male, 1 diverse; age range 20–37
years, M = 24.78, SD = 4.25) that met the following inclusion criteria, as established by Bartos-
sek et al. [2]: no history of epilepsy, migraines, psychological problems (e.g., depression, anxi-
ety disorders), no current consumption of any psychotropic drugs (e.g., antidepressants,
neuroleptics). To mitigate the risk of an adverse reaction, we only included subjects who had
previously used FLS for recreational purposes. Alternatively, an EEG examination was per-
formed to screen for indicators of photosensitive epilepsy, which would lead to exclusion. The
recruitment took place via student mailing lists and through word-of-mouth. Participants gave
their written consent before commencing the experiment. All materials and procedures were
approved by the ethics committee at Freie Universita ¨ t Berlin (application reference: 045/2021).
Seventeen participants filled out the questionnaires in German, of which fifteen were native
speakers, while the remaining three participants preferred English, two of which were native
speakers.
Materials
Flicker light stimulation. A custom stroboscope was constructed by Lumenate Growth
Inc. (Bristol, United Kingdom) to generate light stimulation. It consists of twelve 4500k J2 6V
white LEDs organised in a three-by-four grid with dimensions 128 x 176mm (width x height).
The lamp was set to deliver 5,520 Lumens over participants’ eyes (maximum capacity is 10,360
Lumens). Positioned approximately 150cm from participants, the LEDs were within a visual
angle of approximately 6.5˚, while the setup assured that illumination of the visual field was
experienced as homogenous. The lamp was interfaced with an Arduino (v1.8.16) to deliver
FLS at different frequencies and rhythmicities. Three rhythmicity conditions were used across
four levels of frequency (3 Hz, 8 Hz, 10 Hz and 18 Hz) [Fig 1A]. Rhythmicity levels were:
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Rhythmic, which consists of periodic light stimulation following a 0.3 duty cycle (30% ON
time); normally distributed arrhythmic stimulation (Arrhythmic
norm
), where inter-flash inter-
vals (IFIs) were sampled from a normal distribution with mean IFI equal to one OFF time dur-
ing periodic stimulation at matched frequency (e.g., 70 ms at 10 Hz) and standard deviation
equal to 0.45*OFF time at matched frequency; and paired arrhythmic stimulation (Arrhyth-
mic
pairs
), which involved paired high frequency flashes (similar to the luminance control con-
dition used by Ffytche [28]). The inter-pair OFF time was calculated as 100/freq ms and
adjusted to 10 ms if the value would otherwise be lower. The flash pairs were embedded within
a set of intervals that were sampled from an exponential probability distribution, where the
mean IFI was equal to one OFF time at frequency-matched periodic stimulation. As IFIs were
calculated for every second, 3 Hz Arrhythmic
pairs
used one pair and one single flash for every
second. All conditions delivered 300 ms of light stimulation per second (30% ON time). While
previous studies used 50% ON time [2,3], we decided to shorten the ON period as this allowed
for a greater degree of variation in the arrhythmic IFIs. The Arrhythmic
pairs
condition contains
IFIs with higher variability than the Arrhythmic
norm
at each frequency level (excluding the
constant inter-pair interval). This was determined using the root mean squared of successive
differences (RMSSD), which is commonly used for calculating heart rate variability [29] (e.g.,
at 10Hz, Arrhythmic
pairs
: RMSSD = 166.57, Arrhythmic
norm
: 64.22). For an illustration of the
ON/OFF flicker sequences see Fig 1A.
Questionnaires
Three questionnaires were used in the study: The Tellegen Absorption scale (TAS), selected
items from the Altered States of Consciousness Rating Scale (ASC-R) and an abridged version
of the novel Stroboscopic Visual Experience Survey (SVES). Participants were able to answer
the questionnaires in English or German.
Fig 1. (A) The experime nt comprise d a 3x4 factorial design with 3 levels of rhythmicity (Rhythm ic, Arrhyth mic
norm
and Arrhyth mic
pairs
) and 4 levels of frequenc y (3 Hz, 8 Hz, 10 Hz, 18 Hz). (B) In the experime ntal setup, participants
were seated in a dark room 150 cm away from the strobosc ope (Lumenate Growth Inc., Bristol, United Kingdom) . The
initial assessment involved the completion of TAS questionn aire. In the training phase, participant s were exposed to
FLS and familiarised with the Stroboscopic Visual Experience Survey (SVES) and ASC-R items. The subsequent flicker
session consisted of twelve two-minu te stimulation periods presented in a fully randomised order of conditions.
Followin g each stimulation period, participa nts rated their experi ence using SVES and ASC-R items. A second session
took place within a week of the first.
https://d oi.org/10.1371/j ournal.pon e.0284271.g0 01
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TAS. TAS assesses the personality trait Absorptiveness. It captures the openness to
experiencing mind-altering states with 34 items rated on a five-point Likert scale (0 = “Not at
all” to 4 = “Very much”) [21].
ASC-R. Eleven questions were taken from the Altered State of Consciousness Scale [24].
The ASC-R is a standardised and validated research tool widely used to investigate ASCs [8,24].
Items are rated using a visual analogue scale (VAS) ranging from “no, not more than usually” to
“yes, much more than usually”. The 96-item questionnaire can be decomposed into 11 factors,
including subscales from the main five dimensions: Oceanic Boundlessness, Visionary Recon-
struction, Dread of Ego Dissolution, Auditory Alterations, Vigilance Reduction) [30]. As FLS
primarily induces visual effects, we selected all items from the Elementary Imagery subscale: (“I
saw regular patterns [with closed eyes or in complete darkness.]”; “I saw colors [with closed
eyes or in complete darkness.]”), excluding the item “I saw brightness or flashes of light with
eyes closed or in complete darkness” as the experience is inherent to FLS. Further, we selected
all items from the Complex Imagery subscale of the Visionary Reconstruction scale: “I saw
whole scenes roll by [with closed eyes or in complete darkness]”; “I could see images from my
memory or imagination with extreme clarity”; “My imagination was extremely vivid”. As it has
been reported that other altered state phenomena can additionally arise from FLS [2], we also
selected two items from the Positive Derealisation subscale: “I felt as if in a wonderful other
world.”; “The boundaries between myself and my surroundings seemed to blur”, the item “My
sense of space and time was altered as if I was dreaming” from Altered Perception of Time sub-
scale and “I had the impression I was out of my body.” from the Positive Depersonalisation sub-
scale of the Oceanic Boundlessness scale. Finally, to measure participants alertness during each
trial we included “I felt sleepy” from the Reduction of Vigilance scale.
SVES. An abridged version of the Stroboscopic Visual Experience Survey, which is cur-
rently under development, was used. The SVES is a computer-based questionnaire designed to
allow participants to capture aspects of their FLS experience more accurately, implemented
using the SoSci Survey platform. It was originally constructed in English and was translated
into German for the purposes of this study. The SVES begins with an instruction page that
explains how to answer each item. Thereafter, participants are asked “How well do you recall
your visual experience right now” and “What colours did you see? Select all that apply”. There
are twenty-four colour options, which correspond to the following Natural Colour System
(NCS) IDs: S1040-R, S2070 Y80R, S4050 Y90R, S2050-Y50R, S1070-Y70R, S3050-Y80R,
S0550-Y20R, S0580-Y30R, S1060-Y40R, S2070-G70R, S2070-G60Y, S5040-B70G, S0520-B,
S3050-R70B, S4050-B10G, S1020-R50B, S5020-R70B, S4050-R50B, S2050-R20B, S5010-B70G,
S6010-G10Y, S4050-R20B as well as black and white. Participants are then asked to rate the
occurrence of different patterns and forms during the preceding FLS experience (See S1
Appendix for full list of items). The patterns used in these questions are based on geometric
patterns that were reported in previous FLS studies [1,16,28] and additional piloting. The pat-
terns vary between Klu ¨ ver form constants, phosphenes forms and other possible geometric
patterns that could appear, as well as one geometric pattern that is unlikely to occur (akin to a
control pattern). In addition, overarching visual aspects of the FLS experience are assessed
with another ten items, such as “Did your visual experience continuously change or evolve
over time?” and “Did your visual experience contain a high level of randomness or chaos?”.
These items use a visual analogue scale (VAS) ranging from 0 (no, not at all) to 100 (yes, very
much), which was used to increase comparability of effect sizes with the ASC-R. Three exam-
ple pictures are given to demonstrate the range of possibilities across the scale. Item 1 was
excluded due to technical difficulties. Item 16 and Item 22 were excluded due to high response
variability. For the subsequent analysis, items were grouped together that conceptually mea-
sured the same visual phenomena. Items were grouped into the following scales: colors (Item
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2), simple visual hallucinations (Item 3—Item 10), phosphene forms (Item 11 & Item 12),
detail (Item 13), dynamics (Item 14 & Item 15), paisley (Item 17), complex visual hallucina-
tions (Item 18) and absorption (Item 21). The paisley pattern represents a geometrically simple
pattern that is unlikely to occur. Two subscales of the simple visual hallucinations scale were
also determined: Klu ¨ ver (Item 3 –Item 6) and other (Item 8 and Item 10) in order to assess
whether there were differences in reported pattern subtypes.
Experimental procedure
Initial assessment. A semi-structured interview, which followed the guidelines published
by Bartossek et al. [2], took place to screen participants for eligibility. During the initial assess-
ment [Fig 1B], participants were given an information sheet and then filled out the consent
form. A pseudo-anonymised subject ID was created to link data from the two experimental
sessions. Participants completed the TAS via tablet.
Training phase. Participants wore noise-cancelling headphones and were seated on a
comfortable chair with headrest 150 cm away from the lamp in a dark room. The training
phase consisted of four one-minute stimulation periods: constant light, 3 Hz, 10 Hz and 18 Hz
of rhythmic flicker light. This allowed participants to accustomise to the light intensity and
type of experience. Next, participants were asked to evaluate a static image using the SVES to
gain familiarity with the questionnaire items.
Experimental sessions. If participants had no further questions, the experimental phase
could begin. This involved presentation of twelve two-minute stimulation periods with a fully
randomised order of conditions. The conditions were comprised of three levels of rhythmicity
(Rhythmic, Arrhythmic
norm
and Arrhythmic
pairs
) and four levels of frequency (3 Hz, 8 Hz, 10
Hz, 18 Hz). Following each stimulation period, participants answered the SVES and ASC-R
items to evaluate their phenomenal experience. A second experimental session took place at
the same time of day 1–7 days after the first.
Statistical analysis
All statistical analysis was conducted using Rstudio (v1.4.1103). To test whether participant
ratings differed across the two test sessions, 3x4x2 ANOVAs with rhythmicity, frequency and
test session as factors were run. For each participant, the mean rating of each scale between the
two sessions was used for further analysis. To test the effects of rhythmicity and frequency, we
ran 3x4 ANOVAs with rhythmicity and frequency as factors. Post-hoc Tukey HSD-Tests were
used to compare the distribution of ratings in different conditions. As there was insufficient
evidence to assume normality of data for some of the assessed scales, shown with Shapiro-
Wilks normality tests, we used Kruskal-Wallis tests to confirm the ANOVA results with non-
parametric testing. To test the effect of rhythmicity and frequency on colour selection, we ran
a repeated measures logistic regression model for each colour using the lme4 package in R. In
the regression model, Participant ID was included as a random effect term while frequency
and rhythmicity were fixed effect terms. Further, we used Pearson product-moment correla-
tion to explore whether there were associations between the personality trait Absorptiveness
and the occurrence of complex visual hallucinations.
Results
Effects of test session order on flicker-induced phenomena
To test for the effects of test session order, we performed a 3x4x2 ANOVA for each SVES scale
with frequency, rhythmicity, and test session as factors. We found effects of test session for the
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Simple Visual Hallucination (F(1, 456) = 11.93, p < 0.001, η
2
p
= 0.03), Dynamics (F(1, 456) =
16.41, p < 0.001 η
2
p
= 0.03) and Paisley SVES scales (F(1, 456) = 3.87, p = 0.05, η
2
p
< 0.01),
albeit with small effect sizes, where ratings were higher in the first session compared to the sec-
ond. When using nonparametric Wilcoxon Rank Sum tests to assess differences in ratings for
each condition, there was no significant differences between test sessions for any SVES scale.
Therefore, for subsequent analysis, the mean score was calculated from the first and second
session for each participant.
Effect of frequency and rhythmicity on simple visual hallucinations
We sought to test if frequency and rhythmicity affects how participants rated, between 0 and
100, the occurrence of simple visual hallucinations in their flicker experience. First, we ran a
3x4 ANOVA on the Simple Visual Hallucination scale of the SVES. We found main effects of
frequency (F(3, 228) = 46.19, p < 0.001, η
2
p
= .38) and rhythmicity (F(2, 228) = 27.91,
p < 0.001, η
2
p
= .19) and a significant interaction effect (F(6, 228) = 3.78, p = 0.001, η
2
p
= 0.09).
Nonparametric Kruskal-Wallis testing confirmed a significant effect of frequency and rhyth-
micity (H(3) = 79.3, p < 0.001; H(2) = 26.5, p < 0.001). Post-hoc Tukey tests found that 8 Hz,
10 Hz and 18 Hz stimulation elicited higher ratings of simple visual hallucinations than 3 Hz
(all p < 0.001). Furthermore, all rhythmicity levels were significantly different from each
other, where rhythmic was higher than Arrhythmic
norm
(p = 0.001) and Arrhythmic
pairs
(p < 0.001) and Arrhythmic
norm
was higher than Arrhythmic
pairs
(p < 0.001). For interaction
effects, post-hoc Tukey tests showed that the highest increase in reports of simple visual hallu-
cination was between Rhythmic and Arrhythmic
pairs
stimulation at 10Hz (p < .001) and
remained significant for 18Hz (p = .003) and 8Hz (p = .01) [See S1 Table for full report of
Tukey tests]. Furthermore, during Rhythmic stimulation, reports of simple visual hallucina-
tions are significantly higher during 8Hz, 10Hz and 18Hz compared to 3Hz (all p < .001) [See
S1 Table for full report of Tukey tests]. Fig 2A summarises the interaction between rhythmicity
and frequency on ratings of simple visual hallucinations. Secondly, we tested for effects on sim-
ple visual hallucinations via scores of the ASC-R Elementary Imagery scale. Here, a 3x4
ANOVA revealed a main effect of frequency (F(3, 228) = 5.89, p < 0.001, η
2
p
= 0.07), which
was further confirmed by Kruskal-Wallis testing (H(3) = 18.6, p < 0.001). Again, post-hoc
Tukey tests found that 8 Hz, 10 Hz and 18 Hz stimulation generated higher ratings of simple
visual hallucinations than 3 Hz (all p < 0.01).
Effects of frequency and rhythmicity on dynamics and detail
To test if frequency and rhythmicity would affect the visual dynamics and detail of hallucina-
tory phenomena, we ran 3x4 ANOVAs on the Dynamics and Detail SVES scales. We found a
main effect of rhythmicity (F(2, 228) = 33.83, p < 0.001, η
2
p
= .23) and frequency (F(3, 228) =
46.32, p < 0.001, η
2
p
= .38) as well as an interaction effect (F(6, 228) = 3.50, p = .0025, η
2
p
=
.08) on visual dynamics (Fig 2B). Kruskal-Wallis testing confirmed the significant effect of fre-
quency and rhythmicity on visual dynamics (H(3) = 76.3, p < 0.001; H(2) = 33.1, p < 0.001).
Post-hoc Tukey tests revealed that 8 Hz, 10 Hz and 18 Hz stimulation elicited higher ratings of
visual dynamics than 3 Hz (all p < 0.001). Moreover, ratings were higher for Rhythmic com-
pared to Arrhythmic
norm
and Arrhythmic
pairs
(p < 0.001). For interaction effects, post-hoc
Tukey tests showed that, during Rhythmic stimulation, 8 Hz, 10 Hz and 18 Hz elicited higher
ratings of visual dynamics than 3 Hz (p < .001). Moreover, ratings were higher for Rhythmic
compared to Arrhythmic
pairs
at 8 Hz, 10 Hz and 18 Hz (all p < .001) [See S1 Table for Tukey
test results]. At 10Hz, visual dynamics were also higher for Rhythmic compared to Arrhyth-
mic
norm
(p = .03) [See S1 Table for full report of Tukey tests]. Further, we found a significant
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effect of rhythmicity (F(2, 228) = 9.25, p < 0.001, η
2
p
= .08) and frequency (F(3, 228) = 26.60,
p < 0.001, η
2
p
= .26) on visual detail. Kruskal-Wallis testing confirmed the significant effect of
frequency and rhythmicity on ratings of visual detail (H(3) = 57.9, p < 0.001; H(2) = 13.5,
p = 0.001). Post-hoc Tukey tests revealed that visual detail was higher at 8 Hz, 10 Hz and 18 Hz
compared to 3 Hz (p < 0.001) [See S1 Table for Tukey test results]. Ratings of visual detail
were also higher for Rhythmic compared to Arrhythmic
pairs
(p < 0.001).
Effects of frequency and rhythmicity on seeing different pattern types
To test if frequency and rhythmicity would affect the types of patterns experienced during sim-
ple visual hallucinations, we ran 3x4 ANOVAs on the Klüver forms, Other forms, Phosphene
forms and Paisley SVES scales. We found that frequency had a main effect on ratings of seeing
Klu ¨ ver forms (F(3, 228) = 34.92, p < 0.001, η
2
p
= .31) and Other forms (F(3, 228) = 24.78,
p < 0.001, η
2
p
= .13) (Fig 2C]. Kruskal-Wallis testing confirmed significant effects of frequency
on seeing Kluver forms (H(3) = 69.6, p < 0.001) and Other forms ((H(3) = 57.6, p < 0.001).
ANOVA testing also revealed a significant main effect of rhythmicity on Klu ¨ ver form (F(2,
228) = 17.47, p < 0.001, η
2
p
= .13) and Other form ratings (F(2, 228) = 16.69, p < 0.001, η
2
p
=
.13), which was further confirmed by Kruskal-Wallis testing (Kluver forms: H(2) = 20.3,
p < 0.001); Other forms: H(2) = 22.1, p < 0.001). Additionally, there was a significant interac-
tion effect on ratings of Klu ¨ ver forms (F(6, 228) = 3.26, p = 0.004, η
2
p
= 0.08). Post-hoc Tukey
tests found that Klu ¨ ver and Other forms generated higher ratings at 8 Hz, 10 Hz and 18 Hz
than at 3 Hz (all p < 0.001). Ratings of Klu ¨ ver and Other forms were also significantly higher
Fig 2. Differen tial effects of rhythmi city and frequency on FLS-induc ed hallucinato ry phenomena . (A) Effects of rhythmicity and frequency on reports of simple
visual hallucinations. Ratings are shown from the SVES Simple Visual Hallucinations and ASC-R Elementary Imagery scales. (B) Effects of rhythmicity and frequency on
visual dynamics, which encompass es motion and how much the experience changes over time. (C) Effects of rhythmic ity and frequency on differe nt types of visual
patterns. Klüver forms SVES subscale consists of spirals, cobwe bs, targets and grids. Other forms include SVES items of rippling items and flowing lines. Phosphene forms
refers to lower order forms and includes SVES items for TV snow and blobs of light or colour. Bar charts display the differe nce in ratings between arrhythmic controls
and rhythmic stimulatio n for each frequency . Significance is determined by Tukey tests comparing ratings between rhythmic ity conditions at each frequency level [See S1
Table for Tukey test results].
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in the Rhythmic condition compared to arrhythmic controls [See S1 Table for Tukey test
results]. While ANOVA testing identified a small effect of rhythmicity on ratings of Phosphene
forms (F(2,228) = 3.07, p = 0.05, η
2
p
= .03), Kruskal-Wallis testing found no effect of rhythmic-
ity or frequency on Phosphene forms. Similarly, ANOVA testing identified a small effect of fre-
quency (F(3, 228) = 2.71, p = 0.05, η
2
p
= .03) and rhythmicity (F(2, 228) = 4.83, p = 0.009, η
2
p
=
.04) on perception of Paisley patterns, which was not supported by Kruskal-Wallis testing (i.e.,
no significant effects were found).
Effect of rhythmicity and frequency on observed colours
Next, we explored whether there were categorical shifts in the spectrum of perceived colours
during FLS at different frequencies and rhythmicity. No a priori hypotheses were set. The
probability of each colour being selected is shown in Fig 3. From this, it appears there were no
major shifts in the proportions of colours that were perceived across conditions. Descriptively,
prominent peaks for reds, white and black can be observed, which increase in amplitude as the
frequency increases. Logistic regression models were used to assess the relationship between
frequency and rhythmicity and colour selection. The alpha threshold was Bonferroni corrected
to 0.002 (0.05/24 due to 24 colours being tested). We found that frequency affected colour
selection of white, light yellow and bright blue. The odds of participants selecting white were
6.0, 5.6 and 10.7 times greater during 8 Hz, 10 Hz and 18 Hz, respectively, compared to 3 Hz
stimulation (all p < 0.001). White was chosen in 53.3% of trials at 3 Hz, 78.3% of trials at 8 Hz,
76.7% of trials at 10 Hz and 82.5% of trials at 18 Hz. Additionally, during 8 Hz stimulation, the
odds of selecting light yellow were increased by 3.2-fold compared to 3 Hz stimulation
(p < 0.001). At 18 Hz, the odds of selecting bright blue were 6.7 times higher than at 3 Hz
(p < 0.001). Rhythmicity had a significant interaction with frequency on selection of white,
whereby odds were 7.1 times higher during rhythmic stimulation at 10 Hz (p = 0.002).
Effect of frequency and rhythmicity on complex visual hallucinations
Next, we tested the effects of frequency and rhythmicity on the occurrence of complex visual
hallucinations. To this end, we performed a 3x4 ANOVA on the ratings of the SVES Complex
Imagery scale. We found a main effect of rhythmicity (F(2, 228) = 4.35, p = 0.01, η
2
p
= .04),
which was not found using nonparametric testing. However, nonparametric Kruskal-Wallis
testing identified a significant effect of frequency on SVES complex imagery ratings (H(3) =
Fig 3. Effects of rhythmici ty and frequency on colour selection, depicted as a probabi lity of each colour being
selected. This is express ed as sum of selections over the n = 20 participa nts. The mean selection probabili ty is displayed,
where for each participant the probability was based on the averag e of the first and second session (0, 0.5 or 1).
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11.6, p = 0.009). When testing for complex hallucinations via the ASC-R Complex Imagery
scale, no significant effect was found. Note that the ratings for complex visual hallucinations
were overall relatively low, however showing a relevant variability (i.e., for SVES scale ratings:
3 Hz: 5.2 ± 12.4 M ± SD; 8 Hz: 10.3 ± 19.0; 10 Hz: 12.7 ± 19.4; 18 Hz: 11.1 ± 16.3), which moti-
vates further exploration to identify factors that determine if a participant will experience com-
plex hallucinations or not.
Testing for a relationship between the personality trait absorptiveness and
FLS-effects
In our sample, TAS scores, which indicate the personality trait Absorptiveness, ranged
between 33 and 110 (maximum possible range: 0–136) across participants (M = 64.61,
SD = 19.09). We used Pearson product-moment correlation to test if absorptiveness relates to
the occurrence of simple and complex visual hallucinations. Across the four frequency condi-
tions, no correlations (p<0.05) were found for SVES nor ASC-R ratings of simple visual hallu-
cinations. Following the literature suggestion that the occurrence of complex hallucinations
might be driven by a persons’ absorptiveness, we tested within the four rhythmic frequency
conditions for correlations of TAS with Complex Imagery scales of the SVES and ASC-R. We
found a positive correlation for the 10 Hz condition, which was significant when assessed with
the SVES (r = .61, p = .004) even after correction for multiple comparisons (Bonferroni: 0.05/
8 = 0.00625). When testing with the ASC-R scores, this correlation was also present (r = .49, p
= .03), however did not survive correction for multiple comparisons.
Discussion
In this study, we aimed to determine the effects of flicker frequency and rhythmicity on FLS-
induced hallucinatory effects. We used the well-established ASC-R in combination with an
abridged version of the novel SVES to quantitatively assess the visual experience elicited by dif-
ferent FLS frequencies. This combination provided a direct comparison to previous data while
also allowing a more thorough assessment of visual phenomena than previously attempted.
We found effects of frequency on occurrence of simple visual hallucinations, especially percep-
tion of Klu ¨ ver forms, as well as visual dynamics (e.g., motion) and the degree of visual detail.
Here, participants reported that they experienced the most geometric patterns (e.g., Klu ¨ ver
forms) and visual dynamics during 10 Hz FLS. Furthermore, to test the influence of FLS rhyth-
micity on inducing simple visual hallucinations, we compared the subjective effects of rhyth-
mic versus arrhythmic stimulation. We found that, even though arrhythmic stimulation
delivered the same amount of physical light stimulation per second as rhythmic stimulation, it
resulted in substantially reduced visual effects, including reduced perception of geometric pat-
terns and visual dynamics. This may suggest that neural entrainment, elicited by rhythmic
FLS, plays a significant role in the generation of simple visual hallucinations. The reduction in
visual effects was most pronounced for the Arrhythmic
pairs
condition at 10 Hz, supporting its
future use in investigations of the neuronal mechanisms underlying the flicker experience.
Assessment of phenomenology
To draw conclusions from phenomenological data, it is first important to establish whether
the employed assessment tools provide an accurate representation of the subjective experience.
Based on recent work [1,2,17], we designed and administered an abridged version of the novel
SVES to assess FLS-induced visual effects. We found that ratings of simple visual hallucina-
tions were similar across ASC-R and SVES measures. Given that the ASC-R is well validated
[22], the parity of these results indicates construct validity of the SVES, which should be
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formally tested in future studies. Furthermore, larger effect sizes were found using SVES rat-
ings compared to ASC-R ratings. This is likely because the SVES was designed to capture spe-
cific details and pattern subtypes within simple visual hallucinations while ASC-R targets an
overarching altered state experience. By differentiating pattern subtypes, we found that some
visual phenomena occur irrespective of frequency and rhythmicity (i.e., phosphene forms; see
Fig 2C), thus the SVES preserves this information while the ASC-R only captures gross visual
phenomena: “I saw patterns”. Indeed, recent studies did not find differences in ASC-R ratings
of simple visual hallucinations at different FLS frequencies [2,3], even though the experience
intensity was rated differently [3]. While the ASC-R questionnaire remains useful for compari-
sons across altered state induction methods [2,8], the SVES enables a more detailed assessment
of visual hallucinatory characteristics.
Effects of frequency and rhythmicity on visual hallucinatory phenomena
First, we tested how the phenomenal characteristics of FLS-induced hallucinatory phenomena
were affected by flicker frequency. We found that simple visual hallucinations, such as percep-
tion of Klu ¨ ver forms, were experienced most intensely at 10 Hz rhythmic FLS. This not only
confirms previous findings, where 10 Hz FLS was identified as generating the greatest halluci-
natory effects [2,3,17,28], but offers an extension by distinguishing phenomenal components
within the experience. For example, by differentiating simple visual hallucinations into pat-
terns subtypes, we found that Klu ¨ ver forms (i.e., grids, cobwebs, spirals, tunnels) were the
most reported pattern subtype during rhythmic FLS at 8 Hz, 10 Hz and 18 Hz. Furthermore,
we found that 10 Hz rhythmic stimulation elicited the most visually dynamic experiences.
Visual dynamics encompass perceived motion and how much the experience changes over
time. FLS-induced moving patterns have been previously documented [1,31,32]. We extend
this by finding that flicker frequency had the largest effect on dynamics compared to all other
FLS-induced subjective qualities, emphasising that it constitutes a highly relevant characteris-
tic of FLS effects. Future studies could incorporate eye tracking sensors that monitor partici-
pant eye movements during the flicker experience to explore whether participants’ eye
position and movement adds to variability in the subjective experience. Altogether, out of the
tested frequencies, our results identify 10 Hz FLS as the frequency that induced the greatest
perceptual changes.
Next, we investigated whether rhythmicity affected the phenomenal characteristics induced
by FLS. We found that arrhythmicity significantly reduced simple visual hallucinations and
visual dynamics. The relative reduction of effects was largest for Arrhythmic
pairs
at 10 Hz,
compared to rhythmic 10 Hz. The use of paired flashes as a control condition was first utilised
by Ffytche [28], where it was found that paired flashes led to significant decreases in occipito-
temporal activity, measured via EEG, compared to periodic FLS. However, it should be noted
that Ffytche did not include a phenomenal characterisation of the flicker conditions. Further-
more, we applied an arrhythmic version of the paired flash stimulation whereby inter-pair
intervals were sampled from an exponential probability distribution. In case of higher frequen-
cies (i.e., 18 Hz), flicker trains of higher frequency due to IFI randomization were more likely
to occur than in the other conditions, with local frequency of up to 37 Hz (compare Fig 1).
Due to the randomization of IFIs within one second, these trains were very short and inter-
rupted by longer IFIs, making it unlikely that they were majorly driving the subjective experi-
ences. Overall, we present considerable evidence to show that frequency-matched arrhythmic
FLS reduces hallucinatory effects compared to rhythmic stimulation, underscoring the impor-
tance of rhythmicity in determining the intensity of FLS effects.
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Simple visual patterns, such as those reported in our study, are also commonly reported fol-
lowing administration of a range of psychedelic drugs (serotonin-2A receptor agonists)
[19,33]. Indeed, Klu ¨ ver forms were first identified in the context of mescaline-induced halluci-
nations [15] and have also been reported in migraine aura [5] and Charles Bonnet Syndrome
(i.e., reported mosaic patterns as a form of grid) [34]. Similarly, perceived motion of visual
imagery also occurs in epileptic seizures [35] and during migraine aura [4]. The similarities in
reports of simple visual hallucinations across aetiologically distinct origins (including FLS)
indicate shared underlying neural mechanisms. Seminal computational modelling work sug-
gests that the structure of simple visual hallucinations is to some extent determined by the neu-
ronal architecture between the retina and brain [14,16,36,37]. Therefore, simple visual
hallucinations may reveal the hidden architecture of visual areas of the brain. Future neuro-
physiology research can therefore draw upon research from various domains to formulate a
better understanding of how hallucinatory phenomena are generated.
Aside from simple hallucinatory phenomena, there were small effects of rhythmicity and
frequency on reports of complex visual hallucinations. Complex hallucinations involve the
perception of realistic objects, scenes, and faces (i.e., containing semantic value). While previ-
ous reports found them to be more prevalent at 3 Hz stimulation [3], we found that ratings
increased with frequency. Still, complex visual hallucinations remained relatively low through-
out all FLS conditions and occurred to a lesser extent than simple hallucinations, which is in
line with previous work [2]. This reinstates that FLS reliably induces simple visual hallucina-
tions, while phenomena that involve semantically meaningful content occur only occasionally.
To explore what factors may influence the extent of experiencing complex hallucinations,
we tested their occurrence in relation to the personality trait “absorptiveness”, following from
previous work [2]. We found a positive correlation between absorptiveness and complex imag-
ery ratings for 10 Hz rhythmic FLS. Absorptiveness positively correlates with hypnotisability
[21,38], a term that precedes the recently introduced concept of “phenomenological control”
[39], which describes one’s capacity to alter their subjective experience in order to meet expec-
tations. This could suggest that participants with high absorptiveness experience more halluci-
nations due to expectation that they will occur. Interestingly, however, absorptiveness did not
correlate with simple visual hallucinations. Following from this, predictive coding models sug-
gest that altered hierarchical processing, more specifically prior distributions, on either lower
or higher levels of the visual hierarchy relate to simple or complex hallucinations, respectively
[40–42]. In light of this distinction, it is plausible that personality traits like absorptiveness and
phenomenological control influence hierarchically higher regions and thereby increase likeli-
hood of experiencing complex hallucinations. Further research could expand the scope of
assessing how inter-individual differences influence FLS-induced phenomenology and neural
processing by measuring a wider variety of participant traits, such as phenomenological
control.
Exploration of FLS-induced perception of colours
We explored the types of colours that participants reported during different levels of flicker
frequency and rhythmicity. We aimed to decipher whether there were categorical shifts in the
spectrum of perceived colours depending on the type of FLS. We found that increasing flicker
frequency increased the chances of participants reporting the perception of white, light yellow
and bright blue. Rhythmicity also influenced the selection of white, whereby rhythmic stimula-
tion led to higher chances of perceiving white during 10 Hz stimulation. Previous research
identified that colours are often experienced during rhythmic FLS [2,3], Ganzfeld stimulation
[43], psychedelic drug-induced experiences [19,33], epileptic seizures [6] and Charles Bonnet
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Syndrome [34], however we are not aware of literature that has further classified the specific
colours experienced or their respective proportions within an experience. The VES enables
group-level quantification of each colour perceived during different FLS conditions. It is inter-
esting to note that colour perception is only weakly modulated by frequency and rhythmicity,
especially when compared against simple patterns and visual dynamics. This could indicate
that hallucinatory colour perception arises in the lower levels of the visual pathway (e.g., from
retinal stimulation; entoptic phenomena), while patterns and other hallucinatory phenomena
depend on frequency and rhythmicity-dependent neural mechanisms, such as neural entrain-
ment. These exploratory findings can be used to formulate hypotheses of flicker-induced col-
our perception in future studies.
Potential underlying neural mechanisms
Ultimately, it is of interest to explain phenomenal characteristics in relation to their underlying
neural mechanisms. While there have been some neuroimaging studies of FLS [3,26–28], the
direct link between FLS-induced phenomena and neural activity is yet to be established. Cur-
rently, there are three main views addressing the neural mechanisms that lead to FLS-induced
visual hallucinatory phenomena.
Firstly, it is likely that neural entrainment plays an important role. Haegens [44] defined
entrainment as the phase alignment of existing brain oscillations to an external periodic stimu-
lus, which continues for several cycles after stimulus termination. Previous EEG studies found
that rhythmic flicker at alpha frequency increases neural entrainment at that frequency
[3,12,45–47]. Further, it was found that rhythmic flicker produced stronger phase locking than
arrhythmic stimulation when presented with high light intensity at a stimulation frequency
close to the individual’s dominant intrinsic frequency [45–47]. In our study, we found the
greatest differences in reported hallucinatory phenomena between Rhythmic and the Arrhyth-
mic
pairs
control, which has more arrhythmicity than the normally distributed control, as deter-
mined by the RMSSD of IFIs (see Methods). This finding could suggest that the relationship
between rhythmicity and visual effects exists as a continuum where the degree of arrhythmicity
affects the extent to which effects are reduced. However, it is important to note that we did not
directly assess the neural effects of arrhythmic stimulation. In this light, it should be considered
that other mechanisms can also contribute to oscillatory activity, such as the superposition of
event-related responses, which are evoked cortical responses to visual stimulation that add
onto, but do not interact with, ongoing oscillations [48]. Moreover, a recent study using rhyth-
mic flickering checkerboards found evidence for both frequency-specific neural responses,
supporting the entrainment model, and frequency-independent resonance phenomena, sup-
porting the superposition model [49]. As we found that intensity of FLS effects was affected by
frequency, it is likely that underlying frequency-specifi c neural responses, such as entrainment,
contribute to FLS effects. However, future EEG research is necessary to test whether FLS-
induced neural responses satisfy the criteria for entrainment [44] and if there is markedly less
entrainment elicited by arrhythmic conditions. In doing so, evidence can be provided to deter-
mine whether neural entrainment mediates the effect of frequency and rhythmicity on the
flicker-induced subjective experience.
Secondly, the Ermentrout-Cowan model proposes that the perception of Klu ¨ ver forms cor-
responds to self-organised striped cortical activity in the primary visual cortex (V1)
[14,16,17,50]. Due to the nonlinear transformation of retinal to cortical coordinates, the model
demonstrates that striped activation in V1 translates into spirals, tunnels and other Klu ¨ ver
forms when mapped onto retinal coordinates. The model incorporates anatomical knowledge
of the visual cortex, such as the size of V1 hypercolumns, their lateral inhibitory connections
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and orientation selectivity [14,16]. Nevertheless, it cannot explain the entirety of reported sim-
ple visual hallucinations as there are other pattern types and characteristics that it does not
account for. For example, Ffytche [28] found that FLS led to increased V4 activity, which may
correspond to perceived colour or motion of patterns. Still, our findings lend some support to
the model as we found that Klu ¨ ver forms are reported to a greater degree than other patterns
subtypes, reinforcing their relevance in the study of simple visual hallucinations. Moreover, as
expected, flicker frequency and rhythmicity did not influence whether phosphene forms were
perceived. This supports the notion that phosphene forms, such as TV snow and blobs, are
generated from retinal stimulation with a bright light source [17] as all frequency and rhyth-
micity levels produced the same amount of light input (300ms of light stimulation per second).
The additional patterns, such as Klu ¨ ver forms, are more likely to be a result of frequency-
dependent modulation of neural activity via periodic light stimulation.
Finally, one can look to models developed in other domains to inform predictions of how
FLS-induced phenomena could arise. The cortico-striato-thalamo-cortical (CSTC) model pro-
poses that drug- and pathology-induced hallucinations are associated with aberrant modulation
of thalamus activity leading to thalamocortical dysconnectivity [51,52]. This is supported by
studies that found drug-induced alterations in sensory perception to be positively correlated
with the functional connectivity between thalamus and primary sensory cortices [53]. Such
increased thalamocortical functional connectivity has also been found during flicker-induced
hallucinations [28] and psychosis [54–56]. Further, thalamocortical dysconnectivity has been
implicated in Ganzfeld-induced altered states [57] and thalamocortical functional and structural
dysconnectivity is present in patients with epilepsy [58–60] and migraine [61–63]. These find-
ings hint that thalamocortical dysconnectivity may also play a key role in FLS-induced effects.
It is likely that the three views are not mutually exclusive but that their proposed mecha-
nisms interact or influence each other at different levels. For example, thalamocortical dyscon-
nectivity may arise from neural entrainment at specific frequencies. Furthermore, the
Ermentrout-Cowan model may explain specific properties of the visual experience, such as
perception of Klu ¨ ver forms, but requires additional inputs from other models to encapsulate
the entire phenomenal experience. The aim of future research should be to tie together the
interacting mechanisms in order to formulate an overarching model of how simple visual hal-
lucinations are generated in the brain.
Outlook
Here, we have presented the effects of flicker light rhythmicity and frequency on aspects of the
flicker-induced experience, such as simple visual hallucinations, visual dynamics and per-
ceived colours. The applied SVES generated similar ratings to the ASC-R, but with larger effect
sizes, which suggests that SVES can capture the FLS-induced phenomenology with a higher
level of detail. Further, we found that flicker arrhythmicity significantly reduced visual effects,
which implies that neural entrainment may be critical to the generation of simple visual hallu-
cinations. From two frequency-matched arrhythmic control conditions, we identified the
Arrhythmic
pairs
condition as most effective in reducing simple visual hallucinations when
compared against rhythmic stimulation, especially at 10 Hz. Using this, future neuroimaging
studies can investigate the neural mechanisms that mediate the effects of rhythmicity on the
flicker-induced hallucinatory experience.
Supporting information
S1 Table. Tables for full report of Tukey test results.
(PDF)
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S1 Appendix. Abridged version of Stroboscopic Visual Experience Survey.
(PDF)
Acknowledgmen ts
We would like to thank Tom Galea, Jay Conlon and Lumenate Growth Inc. for the helpful dis-
cussions and generous provision of experimental hardware.
Author Contributions
Conceptualization: Ioanna Alicia Amaya, David John Schwartzman, Timo Torsten Schmidt.
Data curation: Ioanna Alicia Amaya.
Formal analysis: Ioanna Alicia Amaya, Nele Behrens, Timo Torsten Schmidt.
Funding acquisition: Timo Torsten Schmidt.
Investigation: Ioanna Alicia Amaya.
Methodology: Ioanna Alicia Amaya, David John Schwartzman, Trevor Hewitt.
Project administration: Timo Torsten Schmidt.
Resources: Timo Torsten Schmidt.
Software: Ioanna Alicia Amaya.
Supervision: Timo Torsten Schmidt.
Visualization: Ioanna Alicia Amaya, Timo Torsten Schmidt.
Writing – original draft: Ioanna Alicia Amaya.
Writing – review & editing: David John Schwartzman, Trevor Hewitt, Timo Torsten
Schmidt.
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