Waxing Ecological: Defending and Refining the Ecosystem Approach in Popular Music Studies

In this paper, I challenge Keogh and Collinson’s (2016) critique of ecological approaches in popular music studies, arguing for a more nuanced and comprehensive understanding of the music ecosystem. Drawing on systems ecology, socio-ecological systems theory, and ecological economics, I propose an integrated framework that recognises the complex interplay of social, cultural, economic, and environmental factors. This framework offers tools to analyse industry dynamics, address global challenges, and incorporate ethical considerations. Ultimately, it aims to foster a more equitable, sustainable, and resilient popular music ecosystem.