Keywords
House Wren, convergent evolution, island populations, bird song, speciation, taxonomy 44
45
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Lay Summary 46
• I provide the first comprehensive analysis and comparison of song patterns of House Wrens for all 47
of the islands of the Lesser Antilles where they remain, some of which are at risk of extirpation, or 48
even extinction if they represent distinct species. 49
• I use the patterns to interpret the recent taxonomic reclassification of many of these island 50
populations as distinct species. 51
• In their general structure, organization and delivery male song is similar across all of the islands 52
and follows patterns common to contintental forms of House Wren distributed broadly across 53
North, Central and South America. 54
• Songs of the different islands are, however, discriminably different in their more detailed features 55
and these differences are consistent with most, but possibly not all, of the recent species splits. 56
• For the island populations recently reclassified as different species, the distinctiveness of male 57
song is greatest in Dominica and St Vincent and to a lesser extent also St Lucia, and least distinctive 58
in Grenada. Song in Trinidad and Tobago is not substantively different from populations in 59
mainland South America which supports retaining these two island populations as subspecies of 60
the closest continental forms. 61
• Song patterns also point to different possible continental sources for some of the island 62
populations: a source in Central America for Dominica and St Lucia; and a source in South America 63
for the rest. If true, this creates multiple instances of convergent evolutionary divergence in trait 64
patterns across the various islands which merits further study. 65
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Island populations are special for evolution both because their physical isolation restricts gene 66
flow, which allows accumulation of even neutral changes, and because their often distinct ecologies 67
can also yield adaptive diversification. As a result, island populations may differentiate relatively 68
rapidly and therefore can be zones of incipient speciation. Darwin’s finches of the Galapagos Islands 69
are a classic example: a relatively rapid radiation of different finch species on different islands that 70
vary relatively subtly in plumage and overall size, as well as in beak size and shape based on variation 71
in foraging niche. 72
One challenge with definitively establishing species status for island populations – or any 73
population – is knowing how much differentiation is enough because, although there are many 74
proposals, there is no definitive guide to how much variation in typical taxonomic characters, 75
including genes, is required (reviewed in Sukumaran and Knowles 2017; Winker 2021). And the 76
insularity of island populations complicates matters because it effectively precludes interbreeding 77
even if it might occur otherwise. Here song is often given some priority in taxonomic reviews given its 78
role in mate attraction, recognition and mate choice (Remsen 2005; see also Alström and Ranft 2003), 79
and there are many examples of cryptic speciation revealed largely or only on the basis of differences 80
in song patterns (e.g., Irwin 2000; Valderrama et al. 2007; Toews and Irwin 2008). Notably, Podos and 81
colleagues (Podos et al. 2004; Huber & Podos 2006; Podos 2010) documented song variation within 82
and among several species of Darwin’s finches traceable to differences in beak size and shape, 83
illustrating how divergence in feeding niches can have knock-on effects for factors more directly tied 84
to species recognition and status (see also Grant and Grant 1996). 85
The House Wren (Troglydytes spp.) is another species complex well suited to contributing to 86
these evolutionary questions. House Wrens are widely distributed across North, Central and South 87
America. Indeed, they have one of the widest latitudinal distributions of any songbird in the western 88
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hemisphere, breeding from approximately 550 north in Canada to 550 south at the southern tip of 89
South America. Across this vast range, house wrens inhabit a diversity of environments and include 90
virtually continuously distributed continental populations but also several island populations in 91
Mexico, Central and South America, and the Lesser Antilles. Hence, it is a taxon that is well suited to 92
examining how variable environments and ecologies affect migration, social and mating systems, and 93
life-history traits, and there is a large and important literature on many of these topics (see taxon 94
reviews by Fernandez et al. 2024; Johnson 2024). 95
With widely distributed continental forms but also a number of insular island forms, it is a taxon 96
that is also especially well-suited to testing how continuity and discontinuity in distribution can affect 97
population genetic structuring and speciation. This latter important evolutionary issue has long been 98
contested for house wrens, as the classification and species status of populations in this taxon has 99
been complicated and regularly debated. At times, the continental populations have been split into 100
three different species: T. aedon (North America), T. brunneicolis (northern Mexico), and T. musculus 101
(Central and South America), while at other times they have been lumped into a single super-species 102
(T. aedon), with more than 30 different subspecies (see for example, Brumfield and Caparella 1996; 103
Brewer 2001; Kroodsma and Brewer 2005; Dickinson and Christidis 2014). 104
Until recently, the latter framework of a single super-species was formally accepted but not 105
without continuing calls to recognize species status for one or more of the continental forms, as well 106
as several of the island forms. And, indeed, a very recent re-evaluation (Chesser et al. 2024) restored 107
two of the formerly recognized continental species (the northern House Wren: T. aedon; and the 108
southern House Wren: T. musculus) and elevated to species status three of the formerly recognized 109
island subspecies off the coast of Mexico (Isla Cozumel: T. beani; Isla Socorro: T. sissoni; Isla Clarion: T. 110
tanneri) as well as all of the island subspecies in the Lesser Antilles (Dominica: T. martenicensis; St 111
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Lucia: T. mesoleucus; St Vincent: T. musicus; Grenada: T. grenadensis) with the exception of those 112
closest to the mainland on Trinidad (T.m. clarus) and Tobago (T.m. tobagensis). 113
These recent taxonomic changes were based on a mix of genetic, morphological, plumage, and 114
song characteristics (Chesser et al. 2024). The data supporting species status for the two continental 115
forms and the island forms near Mexico appear clear and compelling. The genetic data involved both 116
mitochondrial and nuclear DNA for a large sample of house wrens across their broad continental 117
distribution, as well samples from all of the island populations of Mexico (Klicka et al 2023); while the 118
song data involved a similarly comprehensive sample for continental populations as well as the island 119
forms in Mexico, including experimental responses to song playbacks for the latter island populations 120
(Sosa-López and Mennill 2014a; Sosa-López et al. 2016; see also Sosa-López and Mennill 2014b,c). 121
However, the data in support of species status for each of the island populations in the Lesser 122
Antilles are less clear and complete. For example, the genetic sample for the Lesser Antilles group did 123
not include either St. Lucia or Tobago; and it involved only mitochondrial DNA and not nuclear DNA 124
(Klicka et al 2023). The mtDNA results suggested distinct genetic structuring for the island forms that 125
were sampled, as would be expected given their insularity, and also pointed to an intriguing possible 126
difference in the source of colonization of the different islands either from mainland South America or 127
Central America. However, the authors themselves ultimately favored using their nuclear DNA data to 128
resolve taxonomic relationships in the House Wren complex because the mtDNA produced some odd 129
instances of paraphyly that were inconsistent with traditional taxonomy and the general geography 130
(Klicka et al. 2023). Thus, the authors concluded that, “The greater consistency of the RADseq [nuclear 131
DNA] results and traditional taxonomy and geography suggests it is the more trustworthy 132
phylogenetic pattern … the RADseq data provide the most appropriate basis for classification and 133
understanding House Wren evolution…”. Consequently, these authors recommended recognizing 134
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separate species status for northern and southern House Wren, as well as three of the island forms 135
from Mexico, but they specifically did not make any recommendations concerning the island 136
populations in the Lesser Antilles. 137
The song data for the Lesser Antilles are also limited. Although their songs are often popularly 138
described as distinctive, there has been no systematic analysis and comparison of song across the 139
various islands. The most relevant and comprehensive comparative work cited by the classification 140
committee is the study by Sosa- López and Mennill (2014). While comprehensive in every other 141
respect, that study was limited in its sampling for the Lesser Antilles: it included only two songs from 142
Dominica, one of which was noted as possibly being from St Vincent; there were no song samples 143
included for any of the other islands. Unfortunately, there are few other formal sources that speak 144
compellingly to the matter of song differences among the islands. There are only a handful of short 145
reports, often with a different primary focus, that offer only subjective, impressionistic descriptions of 146
one or a few songs from a single island. For example, Gilardi and John (1998), also cited by the 147
classification committee, performed an important census and study of the general behavior and 148
breeding biology of house wrens in St Lucia, which are seriously threatened on that island. Their 149
paper is most valuable in other respects but provides only a single spectrogram of one song noting 150
that songs are “highly variable”. Similarly, there is an informal report by Barlow (1978) for house 151
wrens on Gaudeloupe, where the birds are now believed extinct, which provides a spectrogram of 152
one song from that island compared to a recording made of a house wren in Florida (which is not 153
typically part of the species’ breeding range) noting that “to my ear, the song of the Gaudeloupe 154
House Wren is the louder, richer and more melodic of the two”. More recently, Cyr et al. (2021) 155
conducted a much more systematic study of song for Grenada; however, that study was focused 156
specifically on the issue of anthropogenic influences on song for birds living in urban (disturbed) 157
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versus rural (undisturbed) locations only on the island of Grenada and involved no data or 158
comparisons to song for any other islands in the Lesser Antilles. Hence, to date there simply is no 159
comprehensive study and comparison of song patterns available for the island group of house wrens 160
in the Lesser Antilles. 161
There is obvious plumage variation among the island forms, as also noted in the recent 162
reclassification, and illustrated in Figure 1. However, here again, the patterns have been described 163
only historically and in impressionistic terms (Oberholser 1904); they have not been studied more 164
recently or systematically, and the patterns of variation are not entirely straightforward. Thus, birds 165
on the islands closest to the mainland in Trinidad and Tobago are most similar to continental forms, 166
with birds in Tobago potentially moderately distinctive in having a more uniform (bleached) white 167
chest and belly, which in continental forms is often more greyish, cream or buff-colored with a pale 168
russet to rose-colored wash on the flanks. The four more remote islands of the Lesser Antilles show a 169
“leap-frog” pattern of plumage variation (sensu Remsen 1984). Birds on the most southern and most 170
northern of the islands (Grenada and Dominica) are most similar and are much darker overall 171
compared to continental forms, with a more uniformly rufescent color all over and therefore lacking 172
the grey-white underbelly common to continental forms. And the two middle island forms (St Vincent 173
and St Lucia) are also most alike and differ from both Grenada and Dominica and from continental 174
forms in showing a more bounded pattern of white ventrum and pale cheeks (auriculars) combined 175
with chestnut-to-russet colored wings and back, and a comparatively heavy and conspicuous white 176
eye-stripe. The latter eye-stripe is present but variable and generally less prominently developed in 177
the other island populations as well as in most continental forms. Hence, while the four more isolated 178
island populations of the Lesser Antilles recently elevated to species status are genuinely distinctively 179
patterned relative to continental forms, the pattern of plumage variation among them does not 180
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suggest four distinctly different color morphs in support of four different species, nor clear clinal 181
variation across them, but rather two clusters with a disjunct distribution. Ultimately, while plumage 182
patterns can often be a useful taxonomic character, they are also famously complicated, inherently 183
subject to environmental variation, and therefore often differing within species with broad 184
distributions (see below). 185
Finally, there is well-documented morphological variation in the island populations of the Lesser 186
Antilles (Sosa-López and Mennill 2014; Wetten 2021). In a particularly comprehensive recent study, 187
Wetten (2021) confirmed that the island populations of house wrens are larger in most standard 188
measures of body and beak size compared to mainland populations, and that these measures also 189
differ among some, but not all, of the core islands of the Lesser Antilles (not including Trinidad or 190
Tobago). However, the pattern of larger body and beak size was not unique to the island populations 191
of the Lesser Antilles but applied also to the island populations in Mexico. It was thus interpreted to 192
be an instance of the broader phenomenon of insular gigantism, where small-bodied species tend to 193
get larger on islands, compared to mainland counterparts, as a function of reduced species diversity 194
and attendant ecological release and the adoption of a more generalist niche (Grant 1965; Cox and 195
Ricklefs 1977; Clegg and Owens 2002). 196
Hence, as with plumage, morphology is an inherently plastic trait subject to considerable 197
environmental variation, even within species; and both characters can thus facilitate but sometimes 198
also complicate species identification. The complications are well illustrated by the example of the 199
North American Fox Sparrow (Passarella iliaca) which parallels closely the situation for House Wren. 200
This taxon, widely distributed across North America, has also been a focus of taxonomic debate. It is 201
currently considered a single species, with many subspecies, organized into four broad types (AOU 202
1998). These four types were once regarded as different species based on variation in body size, beak 203
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size and shape, and plumage patterns (Bailey 1902; Swarth 1920, Linsdale 1928), although there is 204
also considerable variation in these traits within each of the types. More recent mtDNA analyses have 205
reported genetic structuring between the four types but with non-trivial amounts of introgression 206
(hybridization) between them, and the morphs that are most similar in size and plumage are not 207
those most similar genetically, indicating that morphology and plumage in this taxon are 208
environmentally plastic and changing independently of gene flow (Zink 1994; Zink and Blackwell 1996; 209
Zink & Weckstein 2003; Zink 2008; for additional details and review see Weckstein et al. 2020). Avian 210
taxonomy includes many similar examples where genetic, size and plumage characteristics do not 211
align neatly (e.g., Yellow-rumped warbler - Setophaga coronata: see Hunt & Flashpohler 2020; 212
Northern Flicker – Colaptes auratus: see Wiebe & Moore 2024) and where there are therefore no 213
easy taxonomic solutions, only the opportunity that additional data might contribute further insight. 214
To help address these taxonomic and evolutionary issues for the House Wren group and 215
contribute to the broader enterprise for other taxa, I provide here a first comprehensive 216
characterization and quantitative analysis of song patterns across all of the islands in the Lesser 217
Antilles where house wrens remain. To ground the island comparisons, I include several continental 218
populations in the analysis and compare the complete set to comprehensive descriptions of song 219
reported previously for both northern and southern House Wren (e.g., Kroodsma 1977; Tubaro 1990; 220
Rendall and Kaluthota 2013; dos Santos et al. 2016; DiSciullo et al. 2023). 221
Discussion
512
Summary Findings 513
In their general structure, organization and delivery the song patterns of island populations of 514
House Wren in the Lesser Antilles are all very similar and similar also to continental forms of northern 515
and southern House Wren (Kroodsma 1977; Tubaro 1990; Rendall and Kaluthota 2013; Sosa-López 516
and Mennill 2014a, b; dos Santos et al. 2016; DiSciullo et al. 2023) and notably also to some of the 517
other island populations in Mexico whose song has been comprehensively described (Sosa-López and 518
Mennill 2014c). Thus, they all show the same basic organizational template, with songs structured in 519
two discrete sections, an Introduction section of lower amplitude often noisy elements, and a Main 520
section of louder, tonal and frequency modulated elements; they all show the same pattern of song 521
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type delivery where bouts of songs involve serial repetition of the same song type many times before 522
switching and then successive song types tend to differ only minimally by the addition, deletion, 523
substitution or movement of a single syllable type at a time; and they all also show a similar capacity 524
to deviate from both of these patterns. Thus, songs sometimes omit one or other of the Introduction 525
or Main sections; at other times they involve concatenating a series of them together into song 526
‘doublets’ or ‘triplets’. Similarly, sequences of songs are often very repetitious, but song sequences at 527
other times can be far more variable and involve rapid switching between different song types with 528
more wholesale changes in the note and syllable contents of successive songs. The latter sorts of 529
deviation from the basic structural and organizational templates may be developed and used to a 530
greater or lesser extent in some of the populations, but in these higher-level characteristics, the song 531
patterns of all populations are generally more similar than they are different. 532
There are however diagnosable differences in the more detailed features of individual songs. 533
Thus, songs in Dominica are markedly longer in overall duration, with the longest Main section, the 534
longest intervals between elements, and thus also one of the slowest rates of element production. 535
They also entail a preponderance of protracted broad-band frequency sweeps that yield the highest 536
average center frequency and markedly higher averages for the fundamental frequency (F0) and 537
bandwidth of elements in the Main section. Collectively, the impression is of a kind of relaxed, or 538
largo, delivery style with songs produced at a slower tempo with widely spaced, broadband trilled 539
elements. These particular findings agree well with the song analysis by Sosa-López and Mennill 540
(2014a). Although Dominica was the only island population from the Lesser Antilles that was 541
represented in that broad-scale study of house wrens, it was described to have the most distinctive 542
song with specific distinguishing characteristics very much in agreement with those identified here. 543
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Songs from St Vincent are also notably distinctive. They have the highest average center 544
frequency for the Introduction section and the shortest Main section, with the fewest number of 545
elements of markedly lowest bandwidth, frequency modulation, and average entropy (the latter 546
measure capturing the relatively pure tone nature of elements in the Main section). Subjectively, the 547
impression is of a relatively high frequency and often shrill, or even discordant, introductory section 548
paired with a short simple Main section with comparatively few steretoytped, narrowband elements 549
that are slightly offset in frequency creating a high-low, sing-song quality. 550
Songs from StLucia are – subjectively – more typically House Wren but may be discriminably 551
different in having a relatively short Introduction section with fewer and more tonal elements (with 552
lowest average entropy and highest signal-to-noise ratio) combined with a proportionally longer Main 553
section containing more elements. The impression is virtually the opposite of that for Dominica, 554
entailing a more rapid fire – staccato – delivery style with a relatively long and complex Main section. 555
Songs from Grenada are potentially distinctive in having the shortest Introduction section with 556
the fewest number of elements, contributing to the shortest overall song duration where the Main 557
section represents a greater proportion of the song relative to other populations. Otherwise, they 558
bear the most resemblance to canonical House Wren song, being intermediate in almost every 559
dimension and most similar to Tobago, Trinidad and Ecuador. 560
Songs from Tobago and Trinidad are not exceptional on any of the measured acoustic features, 561
although Main section elements have comparatively low bandwidth, and the two populations are 562
similar to each other in this and most other features. 563
Taken together, the picture that emerges for song of the various island populations of the 564
Lesser Antilles is of a broadly conserved and over-arching organizational template common to all 565
house wrens, with population-specific differences arising in the more detailed features of song 566
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structure, where Dominica and St Vincent are most distinctive, followed by St Lucia and Grenada, with 567
Trinidad and Tobago minimally distinctive from mainland populations. 568
Taxonomic Implications: How Many Species? 569
Overall, these findings provide some important empirical support for the recent taxonomic 570
reclassification that elevated to species status the four most distant islands of the Lesser Antilles, 571
namely Dominica, St Lucia, St Vincent and Grenada (Chesser et al. 2024). In discriminant analysis of 572
detailed song features, these four populations were discriminated at levels significantly above chance 573
and substantially higher than levels of success for either Trinidad or Tobago. Of course, statistical 574
discrimination is not by itself definitive proof of species differentiation. Nevertheless, it does have an 575
important bearing on the issue because, as reviewed in the Introduction, each of the major forms of 576
data available previously and used in support of the taxonomic splits were either fragmentary or 577
incomplete in their sampling of the different island populations, or equivocal in the patterns manifest. 578
In such situations, some weight in taxonomic exercises is often attached to song given its role in mate 579
recognition and choice (Remsen 2005). Hence, the findings here, based on a comprehensive sampling 580
and analysis of song across all of the islands, represents an important contribution to the taxonomy of 581
this group and provides support for most of the splits. The cases are strongest for Dominica and St 582
Vincent whose songs are most distinctive, and to a somewhat lesser extent also for St Lucia. The case 583
for species status – at least based on song – is arguably weakest for Grenada which was successfully 584
classified at the lowest levels of the four islands in question (though considerably better than either 585
Tobago or Trinidad) and was also more frequently mistaken for one of the other populations. 586
Importantly also, the discriminant analysis specifically confirmed the similarity of songs between 587
Trinidad and Tobago, and the similiarity of both to songs from mainland South America, as 588
represented by populations in Ecuador. This similarity in song patterns among all three populations 589
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may be evidence of some continuing contact (and gene flow) among them which would not be 590
unexpected given the proximity of Trinidad and Tobago to each other and to mainland South America. 591
It is therefore consistent with, and further supports, the recent taxonomic exercise which identifies 592
them all as subspecies of the mainland south American form (T. musculus; Chesser et al. 2024) 593
Evolutionary Implications 594
An additional novel result of this study, with important evolutionary implications, is the 595
summary finding from discriminant analysis of two distinct clusters of island populations: one cluster 596
that groups Dominica and St Lucia (the two most northern islands in the chain) as distinct from the 597
others and linked most closely to BCR as the most similar mainland population; and another cluster 598
that groups Tobago, Trinidad and Grenada (the three most southern islands) linked most closely to 599
Ecuador, with St Vincent (in the middle of the island chain) an outlier to this second cluster (Figure 6). 600
This pattern provides some support for, and also extends, the intriguing but tentative hypothesis from 601
the genetic study by Klicka et al. (2023) that there might be different geographic sources for the 602
various islands in the lesser Antilles, specifically that birds in Dominica might originate from Central 603
America, while birds on the other islands likely have a south American origin. This hypothesis was 604
tentative given the limitations of mtDNA data (reviewed in Winker 2021) and the absence of 605
complementary nuclear DNA results for the Lesser Antilles populations; and the possibility of a central 606
American source was suggested only for Dominica because Klicka et al. (2023) did not have any 607
genetic samples for St Lucia. So the results here for song data are productive in that they align with 608
the broader point of the Klicka et al. hypothesis that the island populations of the Lesser Antilles 609
might have different continental sources, and the results here specifically extend that proposal to 610
include St Lucia in those with a possible central American origin. 611
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This is important because, if true, the link of both Dominica and St Lucia – at the north end of 612
the island chain – to a mainland source from Central America, distinct from the other islands with a 613
likely source from South America, makes all the more interesting the patterns of distinctive variation 614
in other traits across the islands. For example, the most noticeable (and commonly noted) pattern of 615
island variation is in plumage, where the four islands recently raised to species status are all different 616
in plumage from mainland forms but themselves actually sort into two pairs of very similarly colored 617
morphs: one pair links Dominica and Grenada which are at the northern and southern extremes of 618
this group of four islands; and the other pair links St Lucia and St Vincent which are in the middle (see 619
Figure 1 and the Introduction section for more details). Hence, if Dominica and St Lucia (at the north 620
end) share a central American source, while St Vincent and Grenada (at the south end) share a south 621
American source, then the leap-frog pattern of plumage similarity and difference among them would 622
require two independent instances of convergent plumage divergence: in other words, two separate 623
instances where the divergence in plumage within each of the two pairs resulted in convergence on 624
very similar plumage patterns across them. It is not immediately obvious what set of factors might 625
naturally explain such convergent divergence but it does not map naturally onto the song patterns 626
among them either: Dominica and Grenada are similar in plumage but not in song; St Lucia and St 627
Vincent are likewise similar in plumage but not in song; while Grenada, Trinidad and Tobago are most 628
similar in song but not in plumage. 629
Female Song 630
Adding to this already interesting character mix is the pattern of female song across the islands, 631
in so far it is known, which is very poorly. Although not a focus of study, my own observations (and 632
other informal reports) confirm the presence of female song on all of the islands except St Lucia and 633
St Vincent. This is curious because female song is common in tropical songbird species generally, and 634
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it is also known, though possibly variably used, in continental populations of both northern and 635
southern House Wren (Johnson and Kermott 1990; Krieg and Getty 2016; Keck et al. 2025; reviewed 636
in Fernandez et al. 2024; Johnson 2024). Where it occurs among house wrens in the Lesser Antilles, 637
female song is similar to continental counterparts and often takes the form of a short sequence of 638
relatively harsh unstructured notes, similar to some introductory notes of male song and some 639
common non-song vocalizations. It can, however, also include more tonal, frequency modulated 640
notes similar to some of the more structured elements of the Main section of male song (for an 641
example from Dominica, see Figure 1 in Johnson et al. 2025). And female song can at times be highly 642
synchronized to the male’s song, appended immediately to the end of his song almost as an 643
accentuation or echo of it; at other times it overlaps male song and can be difficult to distinguish from 644
it; and yet other times it can lead or occur completely independently of male song. 645
This is a very cursory and preliminary characterization of female song, unfortunately, and the 646
matter deserves much more detailed study because, while not historically a focus of research to the 647
same extent as male song, very recent comprehensive comparative studies and evolutionary path 648
analysis have shown that female song is both more widespread across songbird taxa than previously 649
appreciated and likely also represents the ancestral state for many of them (Odom et al. 2014; see 650
also Odom and Benedict 2018). This work further shows that, across tropical and temperate zone 651
taxa, the absence of female song likely reflects evolutionary loss associated with a shift away from 652
year-round territoriality and biparental care (Odom et al. 2025). Hence, if female song is truly absent 653
in the Lesser Antilles islands of St Lucia and St Vincent, that have putatively different continental 654
sources, it would not only represent an additional instance of convergent evolutionary divergence – 655
the independent loss of song in two island populations with different original sources – but it might 656
also point to associated evolutionary changes in other core behavioral and life-history traits. Further, 657
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30
if effective mate choice and pairing involves coordinating song contributions between prospective 658
male and female partners, then the absence of female song in St Lucia and St Vincent could be an 659
important taxonomic character as an effective premating isolating mechanism. 660
These latter possibilities remain speculative but there currently appear to be multiple possible 661
instances of character divergence and convergence among plumage, male song and possibly also 662
female song (and potentially other behavioral and life-history traits) across the islands of the Lesser 663
Antilles. Collectively, this intriguing mix of characters therefore stands as a strong impetus to further 664
detailed study to bring additional light to the evolutionary relationships among these island 665
populations of house wrens and to the historical processes that have yielded the trait mosaic they 666
now manifest. 667
Summary and Future Research Directions 668
1. In general structure, organization and delivery the song of males on all of the islands of the 669
Lesser Antilles is similar and follows patterns common to house wrens broadly, but songs of the 670
different islands are discriminably different in their more detailed features. 671
2.The latter differences in song among the island populations are consistent with most of the 672
recently recognized species splits, with the possible exception of Grenada where song is the least 673
distinctive and comparatively closely aligned with that of Trinidad, Tobago and Ecuador. Birds in 674
Grenada are distinct from continental forms (and Trinidad and Tobago) in plumage but this difference 675
is of uncertain classification value given the environmental plasticity of plumage (and size) generally 676
and the fact that birds in Grenada are most similar in plumage to birds at the other end of the island 677
chain in Dominica which genetic and song analysis both link to a different geographic route of 678
incursion. 679
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31
3.Additional genetic research, especially including nuclear DNA, would help to resolve the 680
relationships among island populations and clarify their potential central versus south American 681
origins, which would in turn bring additional clarity to the character mosaic manifest among them 682
that currently implies multiple independent instances of evolutionary convergence and divergence. 683
4.Female song should be a particular focus of future research to confirm or revise its presence 684
on each of the islands and to more fully characterize its features and possible functions, including 685
potential coordination with male song. 686
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Table 1. Summary of song sample.
Population Species/subspecies Dates Males Songs Latitude Longitude Elevation (m)
Belize-Belmopan T. m. intermedius Mar 7 - Mar 9, 2018 6 8 17.22 -88.85 72
CostaRica-LaSuiza T. m. intermedius Apr 10 - Apr 14, 2016 2 8 9.85 -83.61 960
CostaRica-Orosi T. m. intermedius Apr 5 - Apr 9, 2016 7 16 9.78 -83.84 1,250
CostaRica-LasCruces T. m. inquietus Apr 15 - Apr 19, 2016 4 16 8.78 -82.95 1,218
Dominica-Rosalie
Dominica-Portsmouth
T. martinicensis Apr 21 - Apr 26, 2015
Apr 5 - Apr 8, 2024
6
30
15.37
-61.26 29
StLucia-GrosPiton
StLucia-VillaPiton
T. mesoleucus
Apr 16 - Apr 20, 2015
Mar 31 - Apr 4, 2024
8
32 13.81
-61.06 293
StVincent-Buccament Valley
StVincent-MtVernon
T. musicus
Apr 11 - Apr 15, 2015
Mar 25 - Mar 30, 2024
6
28
13.19 -61.24 206
Grenada-StGeorge’s
Grenada-StDavids
T. grenadensis
Apr 6 - Apr 10, 2015
Mar 21 - Mar 24, 2024
9
30 12.10 -61.74 256
Tobago-Castara
Tobago-Castara
T. m. tobagensis
Apr 1 - Apr 5, 2015
Mar 17 - Mar 20, 2024
8
30
11.28 -60.69 95
Trinidad-Maravel Valley
Trinidad-Arima Valley
T. m. clarus
Apr 27 - Apr 30, 2015
Mar 13 – Mar 16, 2024
10
31
10.69 -61.29 245
Ecuador-SantoDomingo T. m. albicans Apr 7 - Apr 8, 2022 2 10 0.27 -79.14 611
Ecuador-Maquipacuna T. m. albicans Mar 23 – Mar 25, 2022 3 8 0.13 -78.63 1,367
Ecuador-Mindo T. m. albicans Mar 26 – Mar 28, 2022
Apr 8 – Apr 10, 2022
5 22 0.03 -78.80 1,141
Ecuador-Milpes T. m. albicans Mar 29 – Mar 30, 2022 2 8 0.03 -78.87 1,150
Ecuador-CopaLinga T. m. clarus Apr 1 – Apr 4, 2022 7 16 -4.09 -78.96 1,017
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Table 2. Means for song variables by population.
SONG VARIABLES BCR Dominica StLucia StVincent Grenada Tobago Trinidad Ecuador Overall
INTRO-#Elements 10.38 10.67 6.25 7.61 5.70 8.30 9.35 8.73 8.53
INTRO-Duration (s) 1.44 1.76 0.94 1.32 0.85 1.15 1.30 1.29 1.27
INTRO-ElementDuration (s) 0.06 0.09 0.08 0.13 0.10 0.09 0.09 0.10 0.09
INTRO-IntervalDuration (s) 0.08 0.08 0.07 0.05 0.05 0.06 0.05 0.06 0.06
INTRO-CenterFreq (Hz) 4,212 5,211 4,533 5,280 4,096 4,350 4,423 5,241 4,701
INTRO-AvgEntropy 3.97 3.77 3.57 3.91 3.85 4.09 4.00 3.82 3.87
INTRO-SNR 27.36 26.64 27.86 23.95 23.08 23.48 23.80 24.45 25.17
MAIN-#Elements 12.38 10.97 12.34 5.86 9.07 8.00 10.52 10.83 10.28
MAIN-Duration (s) 1.23 1.48 1.36 0.92 1.19 1.03 1.23 1.17 1.20
MAIN-ElementDuration (s) 0.08 0.11 0.08 0.13 0.11 0.10 0.09 0.09 0.10
MAIN-IntervalDuration (s) 0.03 0.05 0.04 0.03 0.03 0.03 0.03 0.03 0.03
MAIN-CenterFreq (Hz) 4,068 4,848 4,222 3,700 3,682 3,916 3,753 4,259 4,083
MAIN-AvgEntropy 2.95 2.76 2.70 1.84 2.44 2.24 2.41 2.56 2.53
MAIN-BW-Element (Hz) 3,988 4,166 3,516 2,255 3,141 2,870 3,092 3,473 3,380
SONG-#Elements 22.75 21.63 18.59 13.46 14.77 16.30 19.87 19.56 18.82
SONG-Duration (s) 2.68 3.24 2.30 2.24 2.05 2.18 2.52 2.46 2.47
ElemProdRate (elements/s) 8.59 6.70 8.18 6.02 7.21 7.47 7.89 7.90 7.63
SONG-DutyCycle 0.59 0.63 0.63 0.76 0.76 0.69 0.72 0.70 0.68
MAIN-%Duration 0.46 0.46 0.58 0.41 0.58 0.48 0.49 0.47 0.49
MeanFM/s 60,337 45,729 38,672 20,016 34,531 32,565 36,332 50,986 42,554
MeanF0 3,476 4,444 3,864 3,594 3,424 3,622 3,441 3,789 3,703
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Table 3. Summary of principle components analysis.
Component Eigenvalue % of Variance Cumulative %
1 5.584 26.591 26.591
2 3.465 16.501 43.092
3 2.693 12.823 55.914
4 1.958 9.324 65.238
5 1.458 6.943 72.182
6 1.280 6.096 78.277
7 1.186 5.650 83.927
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Table 4. Variable loadings on each component from principle components analysis.
Acoustic variables
Component*
1 2 3 4 5 6 7
INTRO-#Elements 0.436 0.609 -0.555 0.166 -0.011 0.074 -0.246
INTRO-Duration 0.318 0.770 -0.427 0.283 0.015 0.014 0.106
INTRO-ElementDuration -0.647 0.142 0.135 0.141 -0.097 0.263 0.394
INTRO-IntervalDuration 0.417 0.031 0.309 -0.006 0.176 -0.571 0.509
INTRO-CenterFreq -0.157 0.292 0.197 -0.002 -0.207 0.276 0.570
INTRO-AvgEntropy 0.013 -0.070 -0.131 0.080 0.772 0.085 0.202
INTRO-SNR 0.212 0.263 0.116 -0.286 -0.624 -0.337 -0.055
MAIN-#Elements 0.737 -0.523 0.125 0.280 -0.147 0.137 0.149
MAIN-Duration 0.489 -0.325 0.512 0.597 -0.045 0.095 -0.074
MAIN-ElementDuration -0.637 0.425 0.288 0.228 0.240 -0.069 -0.264
MAIN-IntervalDuration -0.112 0.466 0.566 0.299 -0.023 -0.270 -0.145
MAIN-CenterFreq 0.342 0.457 0.505 -0.336 -0.048 0.342 -0.071
MAIN-AvgEntropy 0.744 0.050 0.220 -0.273 0.306 0.080 -0.034
MAIN-BW-Element 0.365 0.357 0.526 -0.255 0.250 0.043 -0.349
SONG-#Elements 0.876 -0.039 -0.250 0.333 -0.127 0.158 -0.035
SONG-Duration 0.609 0.402 0.013 0.657 -0.019 0.079 0.035
ElemProdRate 0.620 -0.509 -0.364 -0.286 -0.153 0.118 -0.116
SONG-DutyCycle -0.756 -0.160 -0.034 0.135 -0.018 0.505 -0.122
MAIN-%Duration 0.082 -0.739 0.605 0.174 -0.016 0.043 -0.130
MeanFM/s 0.695 0.082 -0.007 -0.429 0.257 0.176 0.162
MeanF0 0.199 0.450 0.442 -0.238 -0.210 0.343 0.107
*Bolded values indicate for each acoustic variable the component with which they are most
strongly associated.
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Table 5. Summary results of discriminant analysis on principle component scores.
Function
Eigenvalue
%
Variance
Cumulative
% Variance
Canonical
Correlation
Wilk’s
Lambda
F-
Value
P-value
DF1 3.346 63.1 63.1 0.877 0.052 22.9 <0.001
DF2 1.123 21.2 84.3 0.727 0.226 13.8 <0.001
DF3 0.385 7.3 91.5 0.527 0.480 9.1 <0.001
DF4 0.266 5.0 96.5 0.458 0.664 7.7 <0.001
DF5 0.143 2.7 99.2 0.353 0.841 5.6 <0.001
DF6 0.039 0.7 100.0 0.194 0.961 2.9 0.0226
DF7 0.002 0.0 100.0 0.041 0.998 0.5 0.4871
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Table 6. Structure matrix from discriminant analysis showing the correlations of individual
principle components with each discriminant function.
Component*
Discriminant Function
1 2 3 4 5 6 7
PCA1 0.627 0.028 0.405 0.446 0.199 -0.375 0.252
PCA2 0.086 0.564 0.319 -0.359 -0.007 0.210 -0.632
PCA3 0.117 0.281 -0.614 0.084 0.411 0.522 0.285
PCA4 -0.108 0.236 0.061 -0.374 0.431 -0.614 0.476
PCA5 -0.021 -0.215 0.514 -0.248 0.363 0.624 0.327
PCA6 -0.256 0.250 0.302 0.821 0.322 0.026 -0.052
PCA7 -0.022 0.277 0.138 0.047 -0.678 0.174 0.641
*Bolded values indicate the component most highly correlated with each discriminant function.
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Table 7. Classification results from discriminant analysis
Population
N
BCR
Dominica
StLucia
StVincent
Grenada
Tobago
Trinidad
Ecuador
% correct
Certainty
Own*
BCR 48 37 2 4 0 1 2 0 2 77.1% 0.72
Dominica 30 2 24 0 0 0 0 0 4 80.0% 0.76
StLucia 32 4 2 21 0 1 1 1 2 65.6% 0.62
StVincent 28 0 0 0 24 1 1 1 1 85.7% 0.77
Grenada 30 0 0 1 3 18 2 2 4 60.0% 0.47
Tobago 30 1 0 0 1 6 10 5 7 33.3% 0.33
Trinidad 31 0 0 0 2 6 4 8 11 25.8% 0.31
Ecuador 64 2 0 1 1 1 4 4 51 79.7% 0.63
Totals: 293 65.9%
#Misclassified to: 6 4 6 7 16 14 13 31
%Misclassified to: 6.7% 4.3% 6.7% 7.3% 18.2% 17.5% 16.9% 35.6%
* Certainty own repesents the probability that a song from a given population will be assigned to itself, as opposed to a different population, averaged across
all songs for that population. Average values for each population express the confidence of correct self-assignment.
Misclassified totals and % values for each population are based on the total of the misclassified cases that could possibly be assigned to them, which therefore
excludes their own misclassifed songs that were assigned to other populations. It is an additional measure of distinctiveness that captures how likely a given
population is to be mistaken for other populations.
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39
Figure Legends 842
Figure 1: Map of study locations with spectrograms of representative songs and photographs of 843
plumage patterns for each population. Note the ‘leap-frog’ pattern of plumage similarity and 844
difference for the four core islands of the Lesser Antilles that were recently reclassified as separate 845
species, where plumage is similar between Dominica and Grenada at the northern and southern 846
extremes of this group, and also similar between St Lucia and St Vincent in the middle. 847
Figure 2: Spectrogram of standard house wren song variant. This example is from Grenada and 848
illustrates the standard structural organization of song common to all populations involving two 849
distinct sections: an Introductory section of primarily noisy broad-band notes, or more tonal notes 850
with a noisy overlay; and a Main section of more distinctive, tonal and frequency modulated notes 851
and syllables. Many, but not all, songs include a conspicuous buzzy note (o) at or near the 852
transition between the two sections. Some of the other measured features of song are also 853
labelled. 854
Figure 3: A short sequence of four songs from a longer bout of singing from St Lucia. This short 855
sequence illustrates several notable features of song organization and song type variation. The 856
differently sized and colored boxed segments are used to highlight a specific note or note 857
combination (syllable) to help illustrate the patterns. The typical pattern of song organization and 858
delivery in St Lucia and elsehere commonly entails repeating the same song type many times 859
before switching (eventual variety) and then changing song types only gradually by the addition, 860
deletion, substitution, or movement of one or two notes or syllables at a time. However, this 861
example illustrates the capacity for more immediate variety in, and some wholesale changes 862
between, different song types that can occur in all populations but may be elaborated to a greater 863
degree in St Lucia. Thus, S1 and S2 are completely different in both their Introduction and Main 864
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40
sections. S3 uses the first three notes from the Introduction of S1 (blue box) and adds a buzzy 865
element (yellow box) to the Introduction and then introduces another different Main section with 866
a rising buzz note (grey box) at the end of the Main section; it then also appends Introductory 867
notes from S2 (orange and green boxes) to the end of the first canonical song after a very short 868
gap. S4 reverts to the Introductory notes and most of the Main section from S2, adds some new 869
buzz and short tick notes and the rising buzz note from S3 (grey box), and then appends to the end 870
of the song, after a long gap, the Introduction from S3 (blue and yellow boxes), the first part of 871
which (blue box) was also the Introduction to S1. In addition to thereby illustrating more 872
immediate variety in successive song types, this example also illustrates how songs (particularly in 873
St Lucia) sometimes involve greater continuous mixing of Introduction and Main type notes (S4) or 874
simply appending Introduction type notes to the end of the Main section of a song after a short 875
gap (as in S3 and S4). 876
Figure 4: A representative song from St Vincent illustrating some of the distinctive features of song 877
from this island population. These include higher frequency elements in the Introduction section 878
with harmonically unrelated tonal components (tall rectangular boxes) and a comparatively short 879
and simple Main section comprised of narrow band, chevron shaped notes (^v) often produced in 880
pairs and offset slightly in frequency producing a distinctive high-low (‘sing-song’) percept. 881
Figure 5: A representative song from Dominica illustrating the more widely spaced elements and 882
preponderance of very wide-band frequency sweeps in the Main section. 883
Figure 6. Bivariate plots of discriminant scores for the songs of each population on the first three 884
discriminant functions (a-c) and a heat map and clustered dendrogram (d) summarizing the 885
relationships among populations based on the multivariate distances between them. The first 886
panel (a) shows some separation of BCR, Dominica, St Vincent and to a lesser extent Grenada on 887
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41
the first two discriminant functions, while the second panel (b) shows that the third discriminant 888
function helps to separate St Lucia and it also highlights (with large elipses) the distinct clustering 889
of BCR, St Lucia and Dominica seaparately from Grenada, Trinidad, Tobago, and St Vincent. The 890
third panel (c) shows no further separation of the populations. The fourth panel (d) is a heat map 891
of population centroid values on each of the seven functions from discriminant analysis and a 892
clustered dendrogram that groups the populations based on similarity and difference in the 893
cumulative euclidean distance between their centroid values across all seven functions using the 894
group averaging clustering method. Values at the nodes of the dendrogram represent the average 895
distance between the branches they connect, expressed in units defined by the discriminant space: 896
the absolute values therefore have no wider meaning but they can be interepreted in relative 897
terms, such that the relative differences in the magnitude of the node values capture the relative 898
magnitude of the song differences between the populations. So, for example, the difference in 899
songs linking St Lucia and BCR is greater than the difference in songs that links the entire cluster of 900
populations of Grenada, Tobago, Trinidad, and Ecuador. 901
902
903
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Dominica
St Lucia
St Vincent
Tobago
Trinidad
Grenada
Belize
Ecuador
Costa Rica
Figure 1
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Time (s)
0 2
20Frequency (kHz)
MainIntroduction
Center
Frequency
Element Bandwidth
F0 Frequency Modulation
Figure 2
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S1 S2 S3 S4
S1 S2 S3 S4
Figure 3
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Frequency-shifted
(^ v) note pairs
Time (s)0 3
20Frequency (kHz)
Figure 4
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Time (s)0 4
20Frequency (kHz)
Figure 5
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Discriminant Function 1
Discriminant Function 2
BCR
Dominica
Ecuador
Grenada
St Lucia
St Vincent
Tobago
Trinidad
Figure 6a
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Discriminant Function 1
Discriminant Function 3
BCR
Dominica
Ecuador
Grenada
St Lucia
St Vincent
Tobago
Trinidad
Figure 6b
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Discriminant Function 2
Discriminant Function 3
BCR
Dominica
Ecuador
Grenada
St Lucia
St Vincent
Tobago
Trinidad
Figure 6c
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Discriminant Function Centroid Values
1 2 3 4 5 6 7
Ecuador
Trinidad
Tobago
Grenada
Dominica
St Lucia
BCR
St Vincent
2.5 3.2
3.7 4.4
5.75.9
6.9
Figure 6d
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