Abstract
Live music performances continue to captivate audiences despite widespread availability of high-quality recordings, yet the neural mechanisms underlying this enhanced experience remain poorly understood. This study investigates the effect of live versus recorded music on neural entrainment using phase-based approaches. 21 participants listened to 2 live and 2 recorded performances of fast and slow movements of J.S. Bach’s works for the solo violin in a concert hall setting, while their EEG data were collected. Participants made behavioral ratings of engagement, spontaneity, pleasure, investment, focus, and distraction after each trial. Live performances were rated as more engaging, pleasurable, and spontaneous than recorded performances. Live trials showed significantly higher acoustic-EEG phase-locking than recorded trials in frequencies specific to the tempo of the excerpts. Furthermore, the effect of liveness on phase-locking was linked to increases in pleasure and engagement for live over recorded trials. Control analyses confirmed that the effects of liveness on phase-locking were not explained by low-level acoustic differences between performances. Altogether, results provide the first evidence that live music enhances cerebro-acoustic phase-locking, and that this enhanced entrainment underlies the heightened affective experience of live performance, supporting theories of music as a vehicle for social bonding through shared neural dynamics.
Full text
2,008 characters
· extracted from
oa-html
· click to expand
Abstract
Live music performances continue to captivate audiences despite widespread availability of high-quality recordings, yet the neural mechanisms underlying this enhanced experience remain poorly understood. This study investigates the effect of live versus recorded music on neural entrainment using phase-based approaches. 21 participants listened to 2 live and 2 recorded performances of fast and slow movements of J.S. Bach’s works for the solo violin in a concert hall setting, while their EEG data were collected. Participants made behavioral ratings of engagement, spontaneity, pleasure, investment, focus, and distraction after each trial. Live performances were rated as more engaging, pleasurable, and spontaneous than recorded performances. Live trials showed significantly higher acoustic-EEG phase-locking than recorded trials in frequencies specific to the tempo of the excerpts. Furthermore, the effect of liveness on phase-locking was linked to increases in pleasure and engagement for live over recorded trials. Control analyses confirmed that the effects of liveness on phase-locking were not explained by low-level acoustic differences between performances. Altogether, results provide the first evidence that live music enhances cerebro-acoustic phase-locking, and that this enhanced entrainment underlies the heightened affective experience of live performance, supporting theories of music as a vehicle for social bonding through shared neural dynamics.
Competing Interest Statement
The authors have declared no competing interest.
Footnotes
The revised version of the manuscript includes a new acoustic control analysis (Figure 5). Statistical methods were updated to use generalized linear mixed effects models. One result figure was removed to maintain specificity of the manuscript. The introduction and discussion were edited to reflect the more specific focus on phase-locking. Our interpretation focuses on the effect of top-down awareness of liveness on neural entrainment.
Text is read by the "Ask this paper" AI Q&A widget below.
Extraction quality varies by source — PMC NXML preserves structure
cleanly, OA-HTML may include some navigation residue, and OA-PDF can
have broken hyphenation. The publisher copy
(via DOI)
is the canonical version.